It is difficult to write a paradiso when all the superficial indications are that you ought to write an apocalypse.
Ezra PoundRead
I have tried to write Paradise Do not move Let the wind speak that is paradise. Let the Gods forgive what I have made Let those I love try to forgive what I have made.
Interpretation
The quote reflects the struggle of the artist and the desire for acceptance from both the divine and loved ones.
In this quote, Ezra Pound expresses the intrinsic connection between art and paradise, suggesting that true beauty and fulfillment are achieved through creation. He acknowledges the difficulty of his work and seeks forgiveness from both divine entities and those he cherishes for any shortcomings in his artistic expression.
In practice
During a speech at an art gallery, one could reference this quote to emphasize the emotional journey of artists.
It is difficult to write a paradiso when all the superficial indications are that you ought to write an apocalypse.
The ant's a centaur in his dragon world. Pull down thy vanity, it is not man Made courage, or made order, or made grace, Pull down thy vanity, I say pull down. Learn of the green world what can be thy place In scaled invention or true artistry, Pull down thy vanity, Paquin pull down! The green casque has outdone your elegance.
I desired my dust to be mingled with yours Forever and forever and forever.
Literature does not exist in a vacuum. Writers as such have a definite social function exactly proportional to their ability as writers. This is their main use.
In our time, the curse is monetary illiteracy, just as inability to read plain print was the curse of earlier centuries.
The modern artist must live by craft and violence. His gods are violent gods. Those artists, so called, whose work does not show this strife, are uninteresting.
I write stories that are already in the air, and I think it's important to have the correct listening device to tune in to that frequency.
Most poets are young simply because they have not been caught up. Show me an old poet, and I'll show you, more often than not, either a madman or a master... it's when you begin to lie to yourself in a poem in order simply to make a poem that you fail. That is why I do not rework poems.
My apartment reflects my views as an architect. It is minimal, austere. The architecture doesn't impose itself upon you. The apartment is a stage for other things to take place.
Now I think poetry will save nothing from oblivion, but I keep writing about the ordinary because for me it's the home of the extraordinary, the only home.
People call me the painter of dancers, but I really wish to capture movement itself.
I am never going to stop playing the villain. I would be foolish to do so because the audiences apparently enjoy watching me, and who am I to say no?
Subscribe for the occasional hand-picked quote. No noise.