There's something really cool about taking oily coloured paste and pushing it around with these hairy sticks and making something that looks like you. That's the magic of painting.
Kehinde WileyRead
Fashion is fragile and fleeting. But it is also an indicator for the cultural and social appetites for a nation.
Interpretation
Fashion reflects societal values and trends, despite its temporary nature.
This quote by Kehinde Wiley suggests that while fashion may be impermanent and changeable, it serves as a significant reflection of the cultural and social desires of a society. It highlights the dual nature of fashion as both an art form that is constantly evolving and a mirror that reveals the underlying sentiments and aspirations of the people within a nation.
In practice
This quote would be perfect for a fashion design presentation highlighting the cultural significance of trends.
There's something really cool about taking oily coloured paste and pushing it around with these hairy sticks and making something that looks like you. That's the magic of painting.
This idea that my work is about hip-hop is a little reductive. What I'm interested in is the performance of masculinity, the performance of ethnicity, and how they intermingle across cultures.
What is portraiture? It's choice. It's the ability to position your body in the world for the world to celebrate you on your own terms.
The ability to be the first African-American painter to paint the first African-American president of the United States is absolutely overwhelming. It doesn't get any better than that.
Painting is about the world that we live in. Black men live in the world. My choice is to include them.
What I try to do is defy expectations in terms of boundaries, whether it is high or low art, pop culture, or fine-art culture. My work is about reconciling myriad cultural influences and bringing them into one picture.
I have many books that I want to write; I'd like to think that I'll be around for another 20 years or so and write another dozen novels, probably some sort of imaginative literature... Never again another seven-volume saga.
Blues is the bedrock of everything I do. All the characters in my plays, their ideas and attitudes, the stance they adopt in the world, are all ideas and attitudes that are expressed in the blues.
One must die to life in order to be utterly a creator.
Rehearsing a scene beds a role into you. But sometimes, if you over-rehearse it without unearthing any new meaning in it, you can suddenly forget your lines. You realise that you are on a stage, not in the real world. The scene's emotional power, and your immersion in it, disappears.
For me, a poem is an opportunity to kind of interrogate myself a little bit.
Mike Forsberg's images give us bright openings onto a world. . . . Here on the Great Plains both people and trees and everything else are in some way shaped by wind and weather. This book, too, has been shaped by where it comes from, and that's just a part of its beauty.
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