There's something really cool about taking oily coloured paste and pushing it around with these hairy sticks and making something that looks like you. That's the magic of painting.
Kehinde WileyRead
Fashion is fragile and fleeting. But it is also an indicator for the cultural and social appetites for a nation.
Interpretation
Fashion reflects societal values and trends, despite its temporary nature.
This quote by Kehinde Wiley suggests that while fashion may be impermanent and changeable, it serves as a significant reflection of the cultural and social desires of a society. It highlights the dual nature of fashion as both an art form that is constantly evolving and a mirror that reveals the underlying sentiments and aspirations of the people within a nation.
In practice
This quote would be perfect for a fashion design presentation highlighting the cultural significance of trends.
There's something really cool about taking oily coloured paste and pushing it around with these hairy sticks and making something that looks like you. That's the magic of painting.
This idea that my work is about hip-hop is a little reductive. What I'm interested in is the performance of masculinity, the performance of ethnicity, and how they intermingle across cultures.
What is portraiture? It's choice. It's the ability to position your body in the world for the world to celebrate you on your own terms.
The ability to be the first African-American painter to paint the first African-American president of the United States is absolutely overwhelming. It doesn't get any better than that.
Painting is about the world that we live in. Black men live in the world. My choice is to include them.
What I try to do is defy expectations in terms of boundaries, whether it is high or low art, pop culture, or fine-art culture. My work is about reconciling myriad cultural influences and bringing them into one picture.
Art, in itself, is an attempt to bring order out of chaos.
I wanted to deal with light directly rather than with paint.
Beginning a novel is always hard. It feels like going nowhere. I always have to write at least 100 pages that go into the trashcan before it finally begins to work. It's discouraging, but necessary to write those pages. I try to consider them pages -100 to zero of the novel.
Which is more musical: a truck passing by a factory or a truck passing by a music school?
In the experience of art, time seems not to exist.
My friend George and I were walking on the beach in Norfolk, and there were thousands of [razor-clam] shells. They were so beautiful, I thought I had to do something with them. So, we decided to make [a dress] out of them. . . . The shells had outlived their usefulness on the beach, so we put them to another use on a dress. Then Erin [OβConner] came out and trashed the dress, so their usefulness was over once again. Kind of like fashion, really.
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