There are times in life when, instead of complaining, you do something about your complaints.
Rita DoveRead
My favorite poets may not be your bread and butter. I have more favorite poems than favorite poets.
Interpretation
This quote reflects the subjective nature of poetry and personal preference in art.
Rita Dove's quote suggests that individual tastes in poetry can greatly differ; while some may cherish particular poets, others might find joy in the diversity of multiple poems. It highlights the richness of poetic expression and the idea that appreciation of art is deeply personal and varies from person to person.
In practice
In a speech about your artistic influences, you could share this quote to illustrate that everyone's artistic taste is unique.
There are times in life when, instead of complaining, you do something about your complaints.
Without imagination we can go nowhere. And imagination is not restricted to the arts. Every scientist I have met who has been a success has had to imagine.
As an African-American, as a woman, I think that I've been sensitized to the way in which history privileges the white male and the way in which certain aspects of history, the things that we are taught in school, the things that are handed down, never, never entered the picture though they might have been very important.
If our children are unable to voice what they mean, no one will know how they feel. If they can’t imagine a different world, they are stumbling through a darkness made all the more sinister by its lack of reference points. For a young person growing up in America’s alienated neighborhoods, there can be no greater empowerment than to dare to speak from the heart — and then to discover that one is not alone in ones feelings.
All of us have moments in our childhood where we come alive for the first time. And we go back to those moments and think, This is when I became myself.
Being Poet Laureate made me realize I was capable of a larger voice. There is a more public utterance I can make as a poet.
My greatest achievement is being able to write records that are real snapshots of what's going on in my life. I won't repeat myself for the sake of commerce, or to please other people.
My weakness has always been to prefer the large intention of an unskilful artist to the trivial intention of an accomplished one: in other words, I am more interested in the high ideas of a feeble executant than in the high execution of a feeble thinker.
Every play is rhythmic control. If you want an audience to go on a journey, it's rhythmic control. You're crafting when they lean in, when they push back, when they breathe, when they surrender.
The dumbing down of the country reflects itself on Broadway. The shows get dumber, and the public gets used to them.
Singing into a microphone and learning to play an instrument and learning to do your craft, that's the most important thing for people to do.
From the very early stage when I started doing performance art in the '70s, the general attitude - not just me, but also my colleagues - was that there should not be any documentation, that the performance itself is artwork and there should be no documentation.
Subscribe for the occasional hand-picked quote. No noise.