My children cause me the most exquisite suffering of which I have any experience. It is the suffering of ambivalence: the murderous alternation between bitter resentment and raw-edged nerves, and blissful gratification and tenderness. Sometimes I seem to myself, in my feelings toward these tiny guiltless beings, a monster of selfishness and intolerance.
Each feminist work has tended to be received as if it emerged from nowhere; as if each one of us had lived, thought, and worked without any historical past or contextual present. This is one of the ways in which women's work and thinking has been made to seem sporadic, errant, orphaned of any tradition of its own.
Interpretation
What this quote means
This quote reflects how feminist contributions are often viewed in isolation, ignoring their historical context and significance.
Adrienne Rich's quote highlights the tendency to regard feminist works as though they appear in a vacuum, without recognition of the historical and cultural influences that shape them. By suggesting that women's thoughts and works are sporadic and disconnected from tradition, the quote critiques the marginalization of feminist contributions, emphasizing the importance of understanding their roots and the continuous lineage of thought that informs them.
Themes
In practice
Example use cases
In a discussion on the evolution of women's rights movements, this quote can illustrate the historical foundation of feminist thought.
More from Adrienne Rich
All quotes →The word revolution itself has become not only a dead relic of Leftism, but a key to the deadendedness of male politics: the revolution of a wheel which returns in the end to the same place; the revolving door of a politics which has liberated women only to use them, and only within the limits of male tolerance.
A president cannot meaningfully honor certain token artists while the people at large are so dishonored.'”
There is no 'the truth','a truth' - truth is not one thing, or even a system. It is an increasing complexity. the pattern of the carpet is a surface. When we look closely, or when we become weavers, we learn of the tiny multiple threads unseen in the overall pattern, the knots on the underside of the carpet
It is the suffering of ambivalence: the murderous alternation between bitter resentment and raw-edged nerves, and blissful gratification and tenderness
It's as if, in the mother's eyes, her smile, her stroking touch, the child first reads the message:'You are there!'
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