Then you develop a kind of critical sense about what you write. You can tell when something is good, but it would be just as good in somebody else's work too. You want to hold out for those things only you can say.
James DickeyRead
I want a fever, in poetry: a fever, and tranquillity.
Interpretation
The quote expresses a desire for passionate, intense emotions in poetry, balanced with a sense of calmness.
James Dickey's quote reflects the intrinsic tension between fervor and peace that can be found in art, particularly poetry. He yearns for a creativity that is both deeply moving and soothing, suggesting that true artistic expression combines powerful emotional experiences with moments of serenity and clarity. This duality enriches poetry, allowing it to resonate with the complexities of human emotion.
In practice
This quote can inspire poets at a workshop to embrace both passion and calm in their writing.
Then you develop a kind of critical sense about what you write. You can tell when something is good, but it would be just as good in somebody else's work too. You want to hold out for those things only you can say.
A poet is someone who stands outside in the rain hoping to be struck by lightning.
So much destruction in modern war takes place miles and miles away from the source of the destruction, the human being who has caused it.
What a view, i said again. The river was blank and mindless with beauty. It was the most glorious thing I have ever seen. But it was not seeing, really. For once it was not just seeing. It was beholding. I beheld the river in its icy pit of brightness, in its far-below sound and indifference, in its large coil and tiny points and flashes of the moon, in its long sinuous form, in its uncomprehending consequence.
But I always need to identify with a character to write about him or her - and by 'identify,' I mean see the world through that person's eyes and have a strong sense of the inner logic of their acts and decisions, wacky or wrongheaded though they might be. In that sense, I think there's some of me in all of them.
It's easy to photograph light reflecting from a surface, the truly hard part is capturing the light in the air.
When a poem is really finished, you can't change anything. You can't move words around. You can't say, 'In other words, you mean.' No, that's not it. There are no other words in which you mean it. This is it.
A main part of the struggle of art has been to make an art that is direct, simple, humane, unconnected with powers that be in their essence... To the degree that it is connected with the bourgeoisie via the marketplace and so on is not necessarily an artist's problem.
There is poetry even in prose, in all the great prose which is not merely utilitarian or didactic: there exist poets who write in prose or at least in more or less apparent prose; millions of poets write verses which have no connection with poetry.
As far as I can recall, the initial shiver of inspiration [for Lolita] was somehow prompted by a newspaper story about an ape in the Jardin des Plantes, who, after months of coaxing by a scientist, produced the first drawing ever charcoaled by an animal: this sketch showed the bars of the poor creature's cage.
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