Our business in life is not to succeed, but to continue to fail in good spirits.
Robert Louis StevensonRead
Fiction is to the grown man what play is to the child; it is there that he changes the atmosphere and tenor of his life.
Interpretation
Fiction serves as an escape and transformation for adults, much like play does for children.
In this quote, Robert Louis Stevenson compares the role of fiction in the lives of adults to that of play in the lives of children. Just as children engage in play to explore, learn, and transform their reality, adults turn to fiction to escape, reflect, and rejuvenate their lives, altering their perspectives and emotional states through the stories they immerse themselves in.
In practice
A teacher might use this quote to encourage students to appreciate the power of storytelling in their lives.
Our business in life is not to succeed, but to continue to fail in good spirits.
Like a bird singing in the rain, let grateful memories survive in time of sorrow.
That man is a success who has lived well, laughed often and loved much.
His past was fairly blameless; few men could read the rolls of their life with less apprehension; yet he was humbled to the dust by the many ill things he had done, and raised up again into sober and fearful gratitude by the many he had come so near to doing, yet avoided.
The habit of being happy enables one to be freed, or largely freed, from the domination of outward conditions.
It is the history of our kindnesses that alone make this world tolerable. If it were not for that, for the effect of kind words, kind looks, kind letters . . . I should be inclined to think our life a practical jest in the worst possible spirit.
The artist in our time has two chief responsibilities: (1) art; and (2) sedition.
There is one thing that freezes a musician more than the deadliest physical cold, and that is the spiritual chill of an unresponsive audience!
I've never gotten over what they call stagefright. I go through it every show. I'm pretty concerned, I'm pretty much thinking about the show. I never get completely comfortable with it, and I don't let the people around me get comfortable with it, in that I remind them that it's a new crowd out there, it's a new audience, and they haven't seen us before. So it's got to be like the first time we go on.
I hate good taste. It's the worst thing that can happen to a creative person.
The artist in his calling of interpreter creates because he must. He is so much of a voice that, for him, silence is like death
I really believe that if you practice enough you could paint the 'Mona Lisa' with a two-inch brush.
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