The concept with Off-White is that I have no ideal target. It's more about trying to make something for everyone. And I think that's what helps make it unique. That there isn't a specific muse.
Virgil AblohRead
My goal was to tell a dialogue between high fashion and streetwear. So, the name Off-White, in my mind, is between black and white. So, that middle ground is a mixture between both genres of fashion.
Interpretation
The quote emphasizes blending different fashion styles to create a unique identity.
Virgil Abloh expresses his vision of fashion as a dialogue between contrasting styles, specifically high fashion and streetwear. The name 'Off-White' symbolizes this duality, representing a fusion of aesthetics that transcends traditional boundaries and celebrates the diversity of fashion influences.
In practice
In a fashion seminar discussing the evolution of style, this quote can illustrate the merging of cultures.
The concept with Off-White is that I have no ideal target. It's more about trying to make something for everyone. And I think that's what helps make it unique. That there isn't a specific muse.
The whole point of collaboration is that you give and take from each other, and that's how you create things that are totally new.
I'm always trying to prove to my 17-year-old self that I can do creative things I thought weren't possible.
From my perspective, I'm trying to stand for a generation. You know, each generation has designers who go along with it.
There's no line between a designer and consumer.
I do fashion to tell a narrative.
I don't wait to be struck by lightning and I don't need certain slants of light in order to be able to write.
I have always tried with my shows - win, lose, or draw - to take the boundaries of music as far as I can.
In art and dream may you proceed with abandon. In life may you proceed with balance and stealth.
I want to be remembered most as a writer - one who entertained readers, and, hopefully, stretched their imagination as well.
Writing a novel is an incredibly free experience. One puts one's self in a narrative mode. You can go off in any direction - the past, the future, or go laterally, or include one's own beliefs. It's total freedom.
A short story is confined to one mood, to which everything in the story pertains. Characters, setting, time, events, are all subject to the mood. And you can try more ephemeral, more fleeting things in a story - you can work more by suggestion - than in a novel. Less is resolved, more is suggested, perhaps.
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