It's absolutely crucial to maintain my life as a poet.
Edward HirschRead
Writing poetry is such an intense experience that it helps to start the process in a casual or wayward frame of mind.
Interpretation
Writing poetry requires a relaxed state of mind, allowing creativity to flow freely.
Edward Hirsch suggests that the process of writing poetry is deeply immersive and emotional, and to tap into that intensity, it is beneficial to begin with a casual, open-minded attitude. This approach can foster creativity, enabling poets to express their thoughts and feelings more authentically, as they are not confined by rigid structures or expectations.
In practice
During a poetry reading event, one might quote this to encourage aspiring poets to find their unique voice.
It's absolutely crucial to maintain my life as a poet.
The commitment to working at poetry is important because a poet is a maker, and a poem is a made thing. We have to honor our feelings by working to transform them into something meaningful and lasting.
As far as I'm concerned, freedom is the most important thing to creativity. You should feel free to write in whatever way, whatever language, feels comfortable to you.
The idea that a poem was a made thing stayed with me, and I decided then that I wanted to be an artist, not just a diarist. So I put myself through a kind of apprenticeship in writing poetry, and I understood even then that my practice as a poet was deeply related to my reading.
And every year there is a brief, startling moment _x000D_ When we pause in the middle of a long walk home and _x000D_ Suddenly feel something invisible and weightless _x000D_ Touching our shoulders, sweeping down from the air: _x000D_ It is the autumn wind pressing against our bodies; _x000D_ It is the changing light of fall falling on us.
When poetry separates from song, then the words have to carry all the rhythm themselves; they have to do all the work. They can't rely on the singing voice.
I joyfully hasten to meet death. If it come before I have had opportunity to develop all my artistic faculties, it will come, my hard fate notwithstanding, too soon, and I should probably wish it later - yet even then I shall be happy, for will it not deliver me from a state of endless suffering?
I do not rewrite unless I am absolutely sure that I can express the material better if I do rewrite it.
I regard the theatre as a serious business, one that makes or should make man more human, which is to say, less alone.
All the senses awaken and fall into harmony in poetic reverie. Poetic reverie listens to this polyphony of the senses, and the poetic consciousness must record it.
So What or Kind of Blue were done in that era, the right hour, the right day. It's over; it's on the record.
I can't think of a single one of my plays that does not represent a coincidence between an external and an internal event. Something outside of me, outside even my own life, something I read in a newspaper or witness on the street, something I see or hear, fascinates me. I see it for its dramatic potential.
Subscribe for the occasional hand-picked quote. No noise.