If you have the guts to be yourself, other people'll pay your price.
John UpdikeRead
In fiction, imaginary people become realer to us than any named celebrity glimpsed in a series of rumored events, whose causes and subtler ramifications must remain in the dark. An invented figure like Anna Karenina or Emma Bovary emerges fully into the light of understanding, which brings with it identification, sympathy and pity.
Interpretation
Fictional characters often resonate with us more deeply than real-life celebrities, evoking stronger emotions and connections.
John Updike suggests that fictional characters, such as Anna Karenina and Emma Bovary, can become more tangible and relatable to us than actual celebrities whose lives are often shrouded in mystery and speculation. Through the storytelling process, these invented figures are illuminated, allowing readers to understand and empathize with their experiences on a profound level.
In practice
In a book club discussion about character depth.
If you have the guts to be yourself, other people'll pay your price.
Dost thou love life? Then do not squander time, for that's the stuff life is made of. _x000D_ _x000D_ Suspect each moment, for it is a thief, tiptoeing away with more than it brings.
Museums and bookstores should feel, I think, like vacant lots - places where the demands on us are our own demands, where the spirit can find exercise in unsupervised play.
But it is just two lovers, holding hands and in a hurry to reach their car, their locked hands a starfish leaping through the dark.
The reader knows the writer better than he knows himself; but the writer's physical presence is light from a star that has moved on.
To guarantee the individual maximum freedom within a social frame of minimal laws ensures - if not happiness - its hopeful pursuit.
I don't really believe in the mystery of cinematography - what happens in the camera is what the cinematographers create and all that nonsense - I want the director to see what I'm trying to do.
You not only have to know your own instrument, you must know the others and how to back them up at all times. That's jazz.
Those people who recognise that imagination is reality's master, we call sages, and those who act upon it, we call artists.
I don't need to manufacture trauma in my life to be creative. I have a big enough reservoir of sadness or emotional trauma to last me.
To me, music is a river. I have lived my life beside the river. Every day, I get up and look at the river. I watch it and notice when it rises and falls.
Everything of mine is permeated with my love of ideas-both big and small. It doesn't matter what it is, as long as it grabs me and holds me, facinates me. And then I'll run out and something about it... I write for fun.
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