If you have the guts to be yourself, other people'll pay your price.
John UpdikeRead
In fiction, imaginary people become realer to us than any named celebrity glimpsed in a series of rumored events, whose causes and subtler ramifications must remain in the dark. An invented figure like Anna Karenina or Emma Bovary emerges fully into the light of understanding, which brings with it identification, sympathy and pity.
Interpretation
Fictional characters often resonate with us more deeply than real-life celebrities, evoking stronger emotions and connections.
John Updike suggests that fictional characters, such as Anna Karenina and Emma Bovary, can become more tangible and relatable to us than actual celebrities whose lives are often shrouded in mystery and speculation. Through the storytelling process, these invented figures are illuminated, allowing readers to understand and empathize with their experiences on a profound level.
In practice
In a book club discussion about character depth.
If you have the guts to be yourself, other people'll pay your price.
Dost thou love life? Then do not squander time, for that's the stuff life is made of. _x000D_ _x000D_ Suspect each moment, for it is a thief, tiptoeing away with more than it brings.
Museums and bookstores should feel, I think, like vacant lots - places where the demands on us are our own demands, where the spirit can find exercise in unsupervised play.
But it is just two lovers, holding hands and in a hurry to reach their car, their locked hands a starfish leaping through the dark.
The reader knows the writer better than he knows himself; but the writer's physical presence is light from a star that has moved on.
To guarantee the individual maximum freedom within a social frame of minimal laws ensures - if not happiness - its hopeful pursuit.
There are five things to write songs about: I'm leaving you. You're leaving me. I want you. You don't want me. I believe in something. Five subjects, and 12 notes. For all that, we musicians do pretty well.
I've always had a profound conviction that great music is about joy, even in the face of tragedy.
Art is not in the ...eye of the beholder. It's in the soul of the artist.
My first poem was a bolt from the blue β¦ it broke a spell of disillusion and suicidal despondence. ... it filled me with soul satisfying joy.
Now, learning how to make a movie is something you can figure out in about an afternoon. The physics of it, the marks, the lights, etc. What's hard to do is to suspend your own feelings of self consciousness. The natural actors can do that; they can become part of a characterization and learn how to maintain it.
Most bands out there are basically pretty boring. I try to affect people inside their bodies.
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