What critics call dirty in our pictures, they call lusty in foreign films.
Billy WilderRead
Film’s thought of as a director’s medium because the director creates the end product that appears on the screen. It’s that stupid auteur theory again, that the director is the author of the film. But what does the director shoot-the telephone book? Writers became much more important when sound came in, but they’ve had to put up a valiant fight to get the credit they deserve.
Interpretation
The quote highlights the importance of screenwriters in film, challenging the notion that directors are the sole creators.
Billy Wilder critiques the auteur theory, which suggests that directors are the primary authors of films, by emphasizing the significant role of screenwriters, especially with the introduction of sound. He points out that while directors receive much of the credit, it is the writers who craft the stories and dialogues that form the backbone of filmmaking, advocating for their recognition in an industry that traditionally elevates directors.
In practice
During a film studies lecture to illustrate the role of writers in cinema.
What critics call dirty in our pictures, they call lusty in foreign films.
I have ten commandments. The first nine are, thou shalt not bore. The tenth is, thou shalt have right of final cut.
Happiness is working with Jack Lemmon.
Hindsight is always twenty-twenty.
I'd worship the ground you walked on if only you walked in a better neighborhood.
He has Van Gogh's ear for music.
Some days, it seems to me like the purpose of life is to convert energy into beauty.
I wonder if I can write this history, or if on every page there will be some sneaking show of a bitterness I thought long dead. I think myself cured of all spite, but when I touch pen to paper, the hurt of a boy bleeds out with the sea-spawned ink, until I suspect each carefully formed black letter scabs over some ancient scarlet wound.
But in many orders of beauty, particularly those of the finer arts, it is requisite to employ much reasoning, in order to feel the proper sentiment; and a false relish may frequently be corrected by argument and reflection. There are just grounds to conclude, that moral beauty partakes of this latter species, and demands the assistance of our intellectual faculties, in order to give it a suitable influence on the human mind.
I meet young artists and it becomes clear that with some the main motivation is getting a show in Chelsea. It strikes me that this is very different to the way it was for me, which was that I wanted to understand photography and the world and myself.
We don't need to illustrate music; music illustrates itself.
One of the attractions of translating 'Heroes' is that it's not the kind of play that I write. If it had been, I probably wouldn't have wanted to translate it. There are no one-liners. It's much more a truthful comedy than a play of dazzling wit.
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