I realized all of the possibilities that could exist for me with my camera: all of the images that I could capture, all of the lives I could enter, all of the people I could meet and how much I could learn from them.
Mary Ellen MarkRead
I remember the first time I went out on the street to shoot pictures. I was in downtown Philadelphia, and I just took a walk and started making contact with people and photographing them, and I thought, 'I love this. This is what I want to do forever.' There was never another question.
Interpretation
The quote expresses the joy and passion of a photographer discovering their purpose.
Mary Ellen Mark captures a pivotal moment in her life when she first experienced the thrill of street photography. This realization ignited her lifelong passion for capturing the world through her lens, highlighting the excitement and fulfillment that comes from pursuing one's true calling.
In practice
This quote can be used in a speech about pursuing your passion in the arts.
I realized all of the possibilities that could exist for me with my camera: all of the images that I could capture, all of the lives I could enter, all of the people I could meet and how much I could learn from them.
I think you have to have a real point of view that's your own. You have to tell it your way. And, I think that it's a mistake to shoot for a specific magazine's point of view because it's never going to be as good. You have to shoot for yourself and photograph [ the way] you believe it.
As a kid, I used to dream about airplanes before I ever flew in one. I really knew, when I started photographing, I wanted it to be a way of knowing different cultures, not just in other countries but in this country, too, and I knew I wanted to enter other lives. I knew I wanted to be a voyeur.
I think you reveal yourself by what you choose to photograph, but I prefer photographs that tell more about the subject. There's nothing much interesting to tell about me; what's interesting is the person I'm photographing, and that's what I try to show. [...] I think each photographer has a point of view and a way of looking at the world... that has to do with your subject matter and how you choose to present it. What's interesting is letting people tell you about themselves in the picture.
I could spend my whole life photographing circuses. They combine everything I'm interested in - they're ironic, poetic, and corny at the same time. There's also something about a circus that's magical, sentimental, and almost tragic, like a Fellini film.
I want my photographs not only to be real but to portray the essence of my subjects also. In order to do that, you have to be patient.
I learned a few things on my own since, and modified some of the things he taught me, but everything, unequivocally, that I learned about comedy writing I learned from Danny Simon.
Since the tubes of paint used by the artist are manufactured and ready made products we must conclude that all the paintings in the world are 'readymades aided' and also works of assemblage.
In my time since moving to the United States, I've found that there is a dearth of great writing for black people. There are stories that depict us in a way that isn't cliched or niche, and that a white person, a Chinese person, an Indian person can watch and relate to. Those are the stories I want to be a part of telling.
My sole recreations consist in dancing English hornpipes and cutting capers. Italy is a land of sleep; I am always drowsy here.
At 6 years old, the ice became a place for me to express myself. Because I was so shy off the ice, it became my safe haven, with music and freedom and self-expression. That was my emotional outlet.
Acting is a very personal process. It has to do with expressing your own personality, and discovering the character you're playing through your own experience - so we're all different.
Subscribe for the occasional hand-picked quote. No noise.