Don't ever write just for a trend or fad, because it's a moving target, and by the time you get your work out there, the trend or fad is gone. Dig deep; don't be afraid to write fiercely. Expose your heart.
Jane YolenRead
Folklore is the perfect second skin. From under its hide, we can see all the shimmering, shadowy uncertainties of the world.
Interpretation
Folklore helps us understand the complexities of the world by providing us with a protective yet revealing narrative framework.
In this quote, Jane Yolen suggests that folklore serves as a metaphorical 'second skin' that not only protects us but also allows us to perceive the intricate and often ambiguous aspects of life. Through stories and traditions, we gain insights into human experiences and the world's uncertainties, illustrating how art and narratives shape our understanding of reality.
In practice
This quote is perfect for a speech about the importance of preserving cultural heritage.
Don't ever write just for a trend or fad, because it's a moving target, and by the time you get your work out there, the trend or fad is gone. Dig deep; don't be afraid to write fiercely. Expose your heart.
I don't care whether the story is real or fantastical. I tell the story that needs to be told.
What makes a good book? Scholars and critics have been debating that question for decades. I like books that touch my head and my heart at the same time.
Just write. If you have to make a choice, if you say, 'Oh well, I'm going to put the writing away until my children are grown,' then you don't really want to be a writer. If you want to be a writer, you do your writing... If you don't do it, you probably don't want to be a writer, you just want to have written and be famous—which is very different.
I believe that culture begins in the cradle . . .To do without tales and stories and books is to lose humanity's past, is to have no star map for our future.
Childrens books change lives. Stories pour into the hearts of children and help make them what they become.
American writers want to be not good but great; and so are neither.
Whenever I become discouraged (which is on alternate Tuesdays, between three and four) I lift my spirits by remembering: The artists are on our side! I mean those poets and painters, singers and musicians, novelists and playwrights who speak to the world in a way that is impervious to assault because they wage the battle for justice in a sphere which is unreachable by the dullness of ordinary political discourse.
Dancing: The Highest Intelligence in the Freest Body.
When a man talks from his heart, in his moment of truth, he speaks poetry.
My films are never about what Hong Kong is like, or anything approaching a realistic portrait, but what I think about Hong Kong and what I want it to be.
But I lie. I embellish. My words are not deep enough. They disguise, they conceal. I will not rest until I have told of my descent into a sensuality which was as dark, as magnificent, as wild, as my moments of mystic creation have been dazzling, ecstatic, exalted.
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