Never once, during any of my bouts of depression, had I been inclined or able to pick up a telephone and ask a friend for help. It wasn't in me.
Kay Redfield JamisonRead
I think wanting to write is a fundamental sign of disease and discomfort. I don't think people who are comfortable want to write.
Interpretation
The desire to write often stems from inner turmoil rather than comfort.
This quote suggests that a strong desire to create, particularly through writing, originates from a place of dissatisfaction or unease. It implies that those who are truly comfortable in their lives lack the motivation to express their thoughts and feelings through writing, indicating that art often arises from struggle and the need for self-exploration.
In practice
During a writer's workshop, you could use this quote to spark a discussion about the emotional challenges that inspire creativity.
Never once, during any of my bouts of depression, had I been inclined or able to pick up a telephone and ask a friend for help. It wasn't in me.
No pill can help me deal with the problem of not wanting to take pills; likewise, no amount of psychotherapy alone can prevent my manias and depressions. I need both. It is an odd thing, owing life to pills, one's own quirks and tenacities, and this unique, strange, and ultimately profound relationship called psychotherapy
Mood disorders are terribly painful illnesses, and they are isolating illnesses. And they make people feel terrible about themselves when, in fact, they can be treated.
When people are suicidal, their thinking is paralyzed, their options appear spare or nonexistent, their mood is despairing, and hopelessness permeates their entire mental domain. The future cannot be separated from the present, and the present is painful beyond solace. βThis is my last experiment,β wrote a young chemist in his suicide note. βIf there is any eternal torment worse than mine Iβll have to be shown.
When public figures remain silent about depression, there is a cost to the rest of society. Silence contributes to the misperception that successful people do not get depressed, and it keeps the public from seeing that treatment allows many individuals to return to competitive professional lives.
Because I teach and write about depression and bipolar illness, I am often asked what is the most important factor in treating bipolar disorder. My answer is competence. Empathy is important, but competence is essential.
My hope is that we continue to nurture the places that we love, but that we also look outside our immediate worlds.
I don't own any of my own paintings because a Picasso original costs several thousand dollars and that's a luxury I cannot afford.
In contrast to the written account-which, depending on its complexity of thought, reference, and vocabulary, is pitched at a larger or smaller readership-a photograph has only one language and is destined potentially for all.
My portraits are more about me than they are about the people I photograph.
The glory of a good tale is that it is limitless and fluid; a good tale belongs to each reader in its own particular way.
It's a product of two poles - there's the pole of the one who makes the work, and the pole of the one who looks at it. I give the latter as much importance as the one who makes it.
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