Writers of feminist dystopian fiction are alert to the realities that grind down women's lives, that make the unthinkable suddenly thinkable.
If gaming were seen as an art, the important question would be not whether games are good for us but whether they are good, full stop.
Interpretation
What this quote means
This quote challenges the perception of gaming by suggesting that the quality of games should be the primary measure of their value, similar to other art forms.
Naomi Alderman's quote invites us to reconsider the societal views on video games by framing them as a legitimate art form. Rather than debating whether gaming has beneficial or harmful effects on individuals, the focus should shift to evaluating the intrinsic quality of games themselves, much like how we scrutinize other artistic expressions. This perspective can enrich discussions about creativity and cultural value in modern entertainment.
Themes
In practice
Example use cases
During a panel discussion on the future of interactive media, this quote can be used to highlight the evolving nature of gaming as an art form.
More from Naomi Alderman
All quotes βWhen a marriage founders, this may well be cause for tremendous sadness, but it's not a failure of spirit or character. People change, their goals and dreams alter, their ideas of themselves grow, or they just meet someone they like better.
The demands of having to be 'masculine' are as damaging to men as the demands of having to be 'feminine' are to women. I wish we could all agree just to wash it all away. Begin again.
One of the hardest challenges posed by the modern world is how to deal with abundance. It's even harder to confront because admitting that it's a problem seems spoiled.
I hope that there are many more women out there writing bits of feminist sci-fi. And men, also - men are allowed to write feminist things.
The arts are valuable because they increase our sense of what it means to be human, not because of any specific skill or ability they confer.
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He had that curious love of green, which in individuals is always the sign of a subtle artistic temperament, and in nations is said to denote a laxity, if not a decadence of morals.
Youβre supposed to expand your mind to fit the art, youβre not supposed to chop the art down to fit your mind.
It's about the audience - if they laugh and clap, you feed off that, and if they don't, you doubt everything you've ever done.
Increasingly, the work I'm doing is in service to an idea rather than just to see what something looks like photographed. I'm trying to explore how I feel about something through photography.
I was drawing a mandolin, and I made the sound hole very small, which made the mandolin look gigantic. I saw that making the details small made the form monumental. So in my figures, the eyes, the mouth are all small, and the exterior form is huge.
An artist cannot get along without a public; and when the public is absent, what does he do? He invents it, and turning his back on his age, he looks toward the future for what the present denies.