Writers of feminist dystopian fiction are alert to the realities that grind down women's lives, that make the unthinkable suddenly thinkable.
If gaming were seen as an art, the important question would be not whether games are good for us but whether they are good, full stop.
Interpretation
What this quote means
This quote challenges the perception of gaming by suggesting that the quality of games should be the primary measure of their value, similar to other art forms.
Naomi Alderman's quote invites us to reconsider the societal views on video games by framing them as a legitimate art form. Rather than debating whether gaming has beneficial or harmful effects on individuals, the focus should shift to evaluating the intrinsic quality of games themselves, much like how we scrutinize other artistic expressions. This perspective can enrich discussions about creativity and cultural value in modern entertainment.
Themes
In practice
Example use cases
During a panel discussion on the future of interactive media, this quote can be used to highlight the evolving nature of gaming as an art form.
More from Naomi Alderman
All quotes βWhen a marriage founders, this may well be cause for tremendous sadness, but it's not a failure of spirit or character. People change, their goals and dreams alter, their ideas of themselves grow, or they just meet someone they like better.
The demands of having to be 'masculine' are as damaging to men as the demands of having to be 'feminine' are to women. I wish we could all agree just to wash it all away. Begin again.
One of the hardest challenges posed by the modern world is how to deal with abundance. It's even harder to confront because admitting that it's a problem seems spoiled.
I hope that there are many more women out there writing bits of feminist sci-fi. And men, also - men are allowed to write feminist things.
The arts are valuable because they increase our sense of what it means to be human, not because of any specific skill or ability they confer.
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When he moves, a streetlight stabs him, and the words flow out like blood.
Beauty can be consoling, disturbing, sacred, profane; it can be exhilarating, appealing, inspiring, chilling. It can affect us in an unlimited variety of ways. Yet it is never viewed with indifference: beauty demands to be noticed; it speaks to us directly like the voice of an intimate friend. If there are people who are indifferent to beauty, then it is surely because they do not perceive it.
But I always need to identify with a character to write about him or her - and by 'identify,' I mean see the world through that person's eyes and have a strong sense of the inner logic of their acts and decisions, wacky or wrongheaded though they might be. In that sense, I think there's some of me in all of them.
Never hesitate to imitate another writer. Imitation is part of the creative process for anyone learning an art or a craft. Bach and Picasso didn't spring full-blown as Bach or Picasso; they needed models. This is especially true of writing.
We don't need a lot of initiatives for women in film; what we need is money.
The directorβs task is to recreate life, its movement, its contradictions, its dynamic and conflicts. It is his duty to reveal every iota of the truth he has seen, even if not everyone finds that truth acceptable. Of course an artist can lose his way, but even his mistakes are interesting provided they are sincere. For they represent the reality of his inner life, of the peregrinations and struggle into which the external world has thrown him.