In comparison to other women in the world, perhaps I'm seen as smaller. But I've never had a problem thinking of myself as a large woman.
Frances McdormandRead
We don't need a lot of initiatives for women in film; what we need is money.
Interpretation
Access to financial resources is essential for empowering women in the film industry.
Frances McDormand's quote emphasizes that rather than just initiatives or programs aimed at promoting women in film, the critical need is for financial investment. Without adequate funding, women are often unable to create, produce, and showcase their work in film, highlighting the importance of economic support in achieving gender equality in the industry.
In practice
This quote could be used in a presentation advocating for gender parity in the film industry.
In comparison to other women in the world, perhaps I'm seen as smaller. But I've never had a problem thinking of myself as a large woman.
It's a scary thing going into the workforce with a $50,000 debt and you've been trained as a classical theatre actor. There's always a depression in the theatre.
That's another great thing about getting older. Your life is written on your face.
There's only two givens with choosing acting as a profession: one is you will always be unemployed, always, and it doesn't matter how much money you make, you're still always going to be unemployed; and that you have no power.
Female characters in literature are full. They're messy: they've got runny noses and burp and belch. Unfortunately, in film, female characters don't often have that kind of richness.
My feminist training was that this was your goal, to be a self-sufficient woman, but that is a miscalculation. It's just not the way we work. We work in dialogue with the community.
So vast is art, so narrow human wit.
As a writer, I absorb stories, allow them to churn within my own head and heart - often for years - until I find a way of telling them that fits both my time and temperament.
Pain s the truth of art. Art is not a hobby or a pastime. It is the result of an internal battle royal, one between the quest for safety and the desire to matter.
The challenge is to keep up with all the new poets at the same time I love the old ones.
Acting is make-believe. I never believe I'm the character; I want you to believe.
Like dancers with choreography or actors with scripts, jazz singers could take material that was known, even loved, then risk interpreting and revising it. They could conceal even as they revealed themselves. Inflection, timing and tonality were their language, at least as much as words.
Subscribe for the occasional hand-picked quote. No noise.