The work needs to get out of your head and on to the table, and it needs to be done from the heart.
Paula ScherRead
The goal of design is to raise the expectation of what design can be
Interpretation
Design aims to elevate standards and possibilities in the field of creativity.
This quote by Paula Scher emphasizes the transformative power of design. It suggests that design should not only fulfill basic needs but also inspire and elevate expectations, pushing boundaries and expanding what is achievable within the realm of creativity and functionality. It hints at the idea that good design can provoke thought, instill emotion, and ultimately redefine standards in various disciplines.
In practice
In a design conference to inspire attendees about the potential of their work.
The work needs to get out of your head and on to the table, and it needs to be done from the heart.
Chess is no whit inferior to the violin, and we have a large number of professional violinists
Architecture is not just for the moment, it is not just for the next fashion magazine.
The artist is a receptacle for emotions that come from all over the place: from the sky, from the earth, from a scrap of paper, from a passing shape, from a spider's web. The problem is not that there are problems. The problem is expecting otherwise and thinking that having problems is a problem.
You never know what you do that could be totally out of left field, which actually might work and give something fresh to the whole scene, to the character, whatever. If you have that with a director who then knows how to shape it, either in the direction, in the moment, or in the editing, then that's good.
The Taliban's acts of cultural vandalism - the most infamous being the destruction of the giant Bamiyan Buddhas - had a devastating effect on Afghan culture and the artistic scene. The Taliban burned countless films, VCRs, music tapes, books, and paintings. They jailed filmmakers, musicians, painters, and sculptors.
The poet must not only write the poem but must scrutinize the world intensely, or anyway that part of the world he or she has taken for subject. If the poem is thin, it is likely so not because the poet does not know enough words, but because he or she has not stood long enough among the flowers--has not seen them in any fresh, exciting, and valid way.
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