The novels that attract me most are those that create an illusion of transparency around a knot of human relationships as obscure, cruel, and perverse as possible.
Italo CalvinoRead
Good literature can be created only with something that is different from literature.
Interpretation
This quote suggests that true literature arises from experiences and perspectives that are outside the conventional realm of literature itself.
Italo Calvino's quote emphasizes the idea that genuine literary creation is often born from diverse and unique influences rather than confining oneself to existing literary norms. This perspective encourages writers to draw upon their own experiences, emotions, and observations of the world, as these elements contribute to originality and depth in literature.
In practice
During a discussion about the creative process in a writing workshop.
The novels that attract me most are those that create an illusion of transparency around a knot of human relationships as obscure, cruel, and perverse as possible.
Your first book is the only one that matters. Perhaps a writer should write only that one. That is the one moment when you make the big leap; the opportunity to express yourself is offered that once, and you untie the knot within you then or never again.
...and every Wednesday the perfumed young lady slips me a hundred-crown note to leave her alone with the convict. And by Thursday the hundred crowns are already gone in so much beer. And when the visiting hour is over, the young lady comes out with the stink of jail in her elegant clothes; and the prisoner goes back to his cell with the lady's perfume in his jailbird's suit. And I'm left with the smell of beer. Life is nothing but trading smells.
Nobody these days holds the written word in such high esteem as police states do.
The struggle of literature is in fact a struggle to escape from the confines of language; it stretches out from the utmost limits of what can be said; what stirs literature is the call and attraction of what is not in the dictionary.
Fantasy is like jam. . . . You have to spread it on a solid piece of bread. If not, it remains a shapeless thing . . . out of which you canβt make anything.
Movies may be as close to a document of our national culture as there is; they're supposed to represent what we believe ourselves to be. So when you don't see yourself at all - or see yourself erased - that hurts.
For the photograph's immobility is somehow the result of a perverse confusion between two concepts: the Real and the Live: by attesting that the object has been real, the photograph surreptitiously induces belief that it is alive, because of that delusion which makes us attribute to Reality an absolute superior, somehow eternal value; but by shifting this reality to the past ("this-has-been"), the photograph suggests that it is already dead.
If architecture had nothing to do with art, it would be astonishingly easy to build houses, but the architect's task - his most difficult task - is always that of selecting.
I can only speak for myself. But what I write and how I write is done in order to save my own life. And I mean that literally. For me literature is a way of knowing that I am not hallucinating, that whatever I feel/know is.
I had so much fun doing Django, and I love westerns so much that after I taught myself how to make one, it's like, 'OK, now let me make another one now that I know what I'm doing.'
Some might think that the creativity, imagination, and flights of fancy that give my life meaning are insanity.
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