We are increasingly likely to find ourselves in places with background music. No composers have thought to write for these modern spaces, which represent 30% of our musical experience.
Brian EnoRead
If you watch any good player, they're using different parts of their body and working with instruments that respond to those movements. They're moving in many dimensions at once.
Interpretation
The quote emphasizes the complexity and multi-dimensionality involved in creative expression.
Brian Eno's quote highlights the idea that skilled artists or performers use various parts of their bodies and tools in a coordinated manner to create art. This multidimensional movement represents a deeper understanding of interaction between the artist and their medium, suggesting that creativity involves both physical and abstract dimensions.
In practice
In a workshop on creativity, one might use this quote to inspire participants to consider the depth of their artistic expression.
We are increasingly likely to find ourselves in places with background music. No composers have thought to write for these modern spaces, which represent 30% of our musical experience.
I think that technology is always invented for historical reasons, to solve a historical problem. But they very soon reveal themselves to be capable of doing things that aren't historical that nobody had ever thought of doing before.
When I first started making ambient music, I was setting up systems using synthesizers that generated pulses more or less randomly. The end result is a kind of music that continuously changes. Of course, until computers came along, all I could actually present of that work was a piece of its output.
People do dismiss ambient music, don't they? They call it 'easy listening,' as if to suggest that it should be hard to listen to.
In the future, you won't buy artists' works; you'll buy software that makes original pieces of 'their' works, or that recreates their way of looking at things. You could buy a Shostakovich box, or you could buy a Brahms box. You might want some Shostakovich slow-movement-like music to be generated. So then you use that box.
Ambient music must be as ignorable as it is interesting.
So every creative act strives to attain an absolute status; it longs to create a world of beauty to triumph over chaos and convert it to order.
I don't read music. I don't write it. So I wander around on the guitar until something starts to present itself.
I say 'spectacle' rather than 'story' because in the end, it isn't the intricacies of narrative that draw us to horror films. When it's there, I'm grateful for the director's skill at telling an exquisitely nuanced tale filled with psychological insight, but it is the spectacles that I take home with me.
Hip-hop is still cool at a party. But to me, hip-hop has never been strictly a party; it is also there to elevate consciousness.
In a photo, you just do a click, but in art you have to put in so much energy. This concentration of energy and attention says something that other media cannot say.
The characters have their own lives and their own logic, and you have to act accordingly.
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