I hate good taste. It's the worst thing that can happen to a creative person.
Interpretation
The quote suggests that conforming to what is considered good taste can stifle creativity.
Helmut Newton expresses a provocative viewpoint that adhering to conventional standards of good taste can hinder the originality and inventiveness of a creative individual. He implies that the freedom to explore unconventional ideas and aesthetics is essential for true artistic expression and innovation, and that a rigid adherence to taste can negatively impact creativity.
In practice
This quote can be used in an art class to encourage students to think outside the box.
I have always avoided photographing in the studio. A woman does not spend her life sitting or standing in front of a seamless white paper background. Although it makes my life more complicated, I prefer to take my camera out into the street... and places that are out of bounds for photographers have always had a special attraction for me.
I like photographing women who appear to know something of life. I recently did a session with a great beauty, a movie star in in her thirties. I photographed her twice within three weeks and the second time I said: "You're much more beautiful today than you were three weeks ago." And she replied: "But I'm also three weeks older.
They often ask me to shoot for them. But I say no. I think an old guy like me ought not take pages away from young photographers who need the exposure.
I am very attracted by bad taste-it is a lot more exciting than that supposed good taste which is nothing more than a standardized way of looking at things.
The point of my photography has always been to challenge myself, to go a little further than my Germanic discipline and Teutonic nature would traditionally permit me to.
Well, what's interesting, I try not to think about the radio when I'm writing a song. I want people to love the song, and that means it might not be exactly thinking about the radio, but it's thinking about your audience and saying, 'I want people to like this song after it's done.'
I don't ... like rhythm, assonance, all that stuff. You just go on your nerve. If someone's chasing you down the street with a knife you just run, you don't turn around and shout, 'Give it up! I was a track star for Mineola Prep.'
It gave me a lot of pleasure and pride that 90 percent of the crew for 'Monsoon Wedding,' and most of my film, are women. We get the work done, you know, much lesser play of ego... And I really believe in harmony, I believe in working in a spirit of egolessness and that the film is bigger than all of us.
But there's no way round it-commercial success is a mark of failure for a graffiti artist. We're not supposed to be embraced in that way. When you look at how society rewards so many of the wrong people, it's hard not to view financial reimbursement as a badge of self-serving mediocrity.
The stuff I'm passionate about is what I write; it isn't multi-million-dollar franchise movies.
New Jersey is the most poetic state: close enough to New York to be urban and cosmopolitan, far enough to be desirous and unsure; densely populated, but full of farms and woods, with the most deer of any state.
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