Love is the last relay and ultimate outposts of eternity.
Dante Gabriel RossettiRead
Sudden Light I have been here before, But when or how I cannot tell: I know the grass beyond the door, The sweet keen smell, The sighing sound, the light around the shore.
Interpretation
The quote conveys a sense of nostalgia and familiarity with a past experience that can't be clearly recalled.
In 'Sudden Light' by Dante Gabriel Rossetti, the speaker reflects on a profound feeling of having experienced a moment before, evoking a powerful connection to sensory details like the smell of grass and sounds around him. This experience underlines how memories can be felt vividly even if the specifics remain elusive, suggesting that certain emotions and sensations are deeply ingrained in our consciousness.
In practice
This quote can be used in a speech about the power of memories in our lives.
Love is the last relay and ultimate outposts of eternity.
You have been mine before - How long ago I may not know: But just when at that swallow's soar, your neck turned so, Some veil did fall, - I knew it all of yore.
Conception, my boy, fundamental brain work, is what makes all the difference in art.
Deep in the sun-searched growths the dragonfly_x000D_ _x000D_ Hangs like a blue thread loosened from the sky.
Look in my face; my name is Might-have-been; I am also call'd No-more, Too-late, Farewell.
Beauty without the beloved is a like a sword through the heart.
Most of us do not consciously look at movies.
Building a bridge, in my opinion, is a symbolic gesture, linked with the needs of people who cross over it, and with the idea of overcoming or surmounting obstacles. A modern bridge can also be a work of art. It helps to shape our daily lives and becomes a vital experience for all the people who use it.
Music is forever; music should grow and mature with you, following you right on up until you die.
To a poet, it's quite ruinous to have a poem distorted, out of shape, or squeezed, shall we say, into this tiny screen. But I'm not sure big digital companies are sensitive to the needs of poets.
I paint mostly from real life. It has to start with that. Real people, real street scenes, behind the curtain scenes, live models, paintings, photographs, staged setups, architecture, grids, graphic design. Whatever it takes to make it work.
It is necessary to write, if the days are not to slip emptily by. How _x000D_ else, indeed, to clap the net over the butterfly of the moment?
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