Everything great in the world comes from neurotics. They alone have founded our religions and composed our masterpieces.
Interpretation
The quote suggests that great achievements in culture and spirituality often originate from individuals who are neurotic or troubled.
Marcel Proust's quote highlights the idea that much of the beauty and depth in human achievement, such as art and religion, emerges from those who experience inner turmoil or intense emotional struggles. Neurotic individuals, often driven by their complexities, have the capacity to create profound works that resonate with the human experience and challenge societal norms. This perspective encourages appreciation for the artistic contributions of those who may not fit conventional molds.
In practice
In a speech about the role of creativity in society, one might quote Proust to illustrate the connection between emotional struggles and artistic genius.
But when from a long-distant past nothing subsists, after the people are dead, after the things are broken and scattered, taste and smell alone, more fragile but more enduring, more unsubstantial, more persistent, more faithful, remain poised a long time, like souls, remembering, waiting, hoping, amid the ruins of all the rest; and bear unflinchingly, in the tiny and almost impalpable drop of their essence, the vast structure of recollection.
At that time, he was satisfying a sensual curiosity by experiencing the pleasures of people who live for love. He had believed he could stop there, that he would not be obliged to learn their sorrows; how small a thing her charm was for him now compared with the astounding terror that extended out from it like a murky halo, the immense anguish of not knowing at every moment what she had been doing, of not possessing her everywhere and always!
We do not succeed in changing things according to our desire, but gradually our desire changes. The situation that we hoped to change because it was intolerable becomes unimportant. We have not managed to surmount the obstacle, as we were absolutely determined to do, but life has taken us round it, led us past it, and then if we turn round to gaze at the remote past, we can barely catch sight of it, so imperceptible has it become.
A person does not...stand motionless and clear before our eyes with his merits, his defects, his plans, his intentions with regard to ourself exposed on his surface...but is a shadow which we can never succeed in penetrating...a shadow behind which we can alternately imagine, with equal justification, that there burns the flame of hatred and of love.
We are all of us obliged, if we are to make reality endurable, to nurse a few little follies in ourselves.
There are perhaps no days of our childhood we lived so fully as those we spent with a favorite book.
I am interested in the physicality of light itself.
I look around, and 50 percent of the big-budget entertainment you are seeing these days is dystopian. This is the era of 'Hunger Games' and blasted landscapes and 'The Walking Dead.'
I like a thing simple but it must be simple through complication. Everything must come into your scheme, otherwise you cannot achieve real simplicity.
The language that photography has is a formal language. Any photographer is doing something formal. If it's formal, then it must be an aesthetic way to communicate.
Art invites us to know beauty and to solicit it, summon it, from even the most tragic of circumstances.
All my works are games, serious game.
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