One time, I went to school, and they asked us all to find out where our roots were. It's goin' around the class, and the kids were going, 'I'm Swedish-German' or 'I'm English-Irish.' They got to me and I said, 'Pure Kentuckian.'
John PrineRead
If heartaches was commercials, we'd all be on TV.
Interpretation
The quote humorously suggests that heartache is a common experience, so much so that everyone would be featured on television if it were shown as commercials.
John Prine's quote captures the universality of heartache, indicating that emotional pain is a shared human experience. By comparing heartaches to commercials, he highlights how prevalent these feelings are in society, humorously implying that if we showcased our heartaches publicly, we'd all have our stories broadcasted, thus emphasizing the idea that suffering is common and relatable.
In practice
This quote could be used in a speech about the shared human experience of heartache.
One time, I went to school, and they asked us all to find out where our roots were. It's goin' around the class, and the kids were going, 'I'm Swedish-German' or 'I'm English-Irish.' They got to me and I said, 'Pure Kentuckian.'
I just tried to come up with some honest songs. What I was writing about was real plain stuff that I wasn't sure was going to be interesting to other people. But I guess it was...I've never had any discipline whatsoever. I just wait on a song like I was waiting for lightning to strike. And eventually-usually sometime around 3 in the morning-I'll have a good idea. By the time the sun comes up, hopefully, I'll have a decent song.
I feel basically good about my career because it's remained constant. What I do has never been especially in vogue or gotten high on the charts. At the same time, I haven't had to stop performing any of my music because it aged in style.
You know that first love that leaves you? You never forget that, especially if you're a songwriter. I must have gotten nine songs out of that girl.
You get to thinking that because you've written 50 or 100 songs, you think maybe you know how to do it. But when they're not coming along, you're just as in the dark as you ever were. When they're coming along, there's nothing to it. Sometimes it's so easy, it's like you're a court stenographer.
The only reason I figured out I didn't like my old records to listen was I could hear how nervous I was and how uncomfortable I was. And who would want to sit around and listen to yourself being uncomfortable?
Nobody stopped thinking about those psychedelic experiences. Once you've been to some of those places, you think, 'How can I get back there again but make it a little easier on myself?'
If I had to define life in a single phrase, I should clearly express my thought of throwing into relief one characteristic which, in my opinion, sharply differentiates biological science. I should say: life is creation.
Determine to live life with flair and laughter.
The latitude and longitudinal lines of where you are born determine your opportunity in life, and it's not equal. We may have been created equal, but we're not born equal. It's a lot to do with luck and you have to pass that on.
Trying to describe the process of becoming an alcoholic is like trying to describe air. It's too big and mysterious and pervasive to be defined. Alcohol is everywhere in your life, omnipresent, and you're both aware and unaware of it almost all the time, all you know is you'd die without it, and there is no simple reason why this happens, no single moment, no physiological event that pushes a heavy drinker across a concrete line into alcoholism. It's a slow, gradual, insidious, elusive becoming.
How terribly sad it was that people are made in such a way that they get used to something as extraordinary as living.
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