If heartaches was commercials, we'd all be on TV.
John PrineRead
The only reason I figured out I didn't like my old records to listen was I could hear how nervous I was and how uncomfortable I was. And who would want to sit around and listen to yourself being uncomfortable?
Interpretation
Self-awareness can reveal discomfort in our past expressions, discouraging us from revisiting them.
In this quote, John Prine reflects on his early recordings and realizes that listening to them evokes feelings of anxiety and discomfort from his past self. This insight highlights how personal growth alters our perception of our own work, leading us to recognize and distance ourselves from the insecurities that once defined us, ultimately questioning why we would subject ourselves to those uncomfortable moments again.
In practice
In a podcast about the evolution of artists, you could mention this quote to discuss personal growth.
If heartaches was commercials, we'd all be on TV.
One time, I went to school, and they asked us all to find out where our roots were. It's goin' around the class, and the kids were going, 'I'm Swedish-German' or 'I'm English-Irish.' They got to me and I said, 'Pure Kentuckian.'
I just tried to come up with some honest songs. What I was writing about was real plain stuff that I wasn't sure was going to be interesting to other people. But I guess it was...I've never had any discipline whatsoever. I just wait on a song like I was waiting for lightning to strike. And eventually-usually sometime around 3 in the morning-I'll have a good idea. By the time the sun comes up, hopefully, I'll have a decent song.
I feel basically good about my career because it's remained constant. What I do has never been especially in vogue or gotten high on the charts. At the same time, I haven't had to stop performing any of my music because it aged in style.
You know that first love that leaves you? You never forget that, especially if you're a songwriter. I must have gotten nine songs out of that girl.
You get to thinking that because you've written 50 or 100 songs, you think maybe you know how to do it. But when they're not coming along, you're just as in the dark as you ever were. When they're coming along, there's nothing to it. Sometimes it's so easy, it's like you're a court stenographer.
Learn to play the piano, man, and then you can figure out crazy solos of your own.
There is a lot to say about what Bikini Kill and other 'riot grrrl' bands were able to achieve when they first set out. They were not some momentary, convulsive, creative spasm of independent music. There was a very real, relevant point of view being expressed.
It was my 16th birthday - my mom and dad gave me my Goya classical guitar that day. I sat down, wrote this song, and I just knew that that was the only thing I could ever really do - write songs and sing them to people.
I wasn't a jazz player, but a classical musician, and I improvised arrangements of popular songs using classical motifs.
Until I realized that rock music was my connection to the rest of the human race, I felt like I was dying, for some reason, and I didn't know why.
I'm never gonna stop music, it's like air to me.
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