If heartaches was commercials, we'd all be on TV.
John PrineRead
You get to thinking that because you've written 50 or 100 songs, you think maybe you know how to do it. But when they're not coming along, you're just as in the dark as you ever were. When they're coming along, there's nothing to it. Sometimes it's so easy, it's like you're a court stenographer.
Interpretation
Creativity can be unpredictable, and even seasoned artists can experience uncertainty in their work.
In this quote, John Prine reflects on the nature of songwriting and creativity. He conveys that regardless of how many songs one has written, the process remains elusive and often unpredictable. At times, ideas flow effortlessly, while at other times, they can be hard to grasp, highlighting the inherent challenges and mysteries of the creative process.
In practice
A musician sharing the quote during a songwriting workshop to illustrate the challenges of creativity.
If heartaches was commercials, we'd all be on TV.
One time, I went to school, and they asked us all to find out where our roots were. It's goin' around the class, and the kids were going, 'I'm Swedish-German' or 'I'm English-Irish.' They got to me and I said, 'Pure Kentuckian.'
I just tried to come up with some honest songs. What I was writing about was real plain stuff that I wasn't sure was going to be interesting to other people. But I guess it was...I've never had any discipline whatsoever. I just wait on a song like I was waiting for lightning to strike. And eventually-usually sometime around 3 in the morning-I'll have a good idea. By the time the sun comes up, hopefully, I'll have a decent song.
I feel basically good about my career because it's remained constant. What I do has never been especially in vogue or gotten high on the charts. At the same time, I haven't had to stop performing any of my music because it aged in style.
You know that first love that leaves you? You never forget that, especially if you're a songwriter. I must have gotten nine songs out of that girl.
The only reason I figured out I didn't like my old records to listen was I could hear how nervous I was and how uncomfortable I was. And who would want to sit around and listen to yourself being uncomfortable?
Almost every magazine piece I've ever written, I felt like I haven't done it justice, like it was just a gloss.
I don't want to think that the stories are finite; I want to feel that they can go on forever.
I am trying to make art that relates to the deepest and most mythic concerns of human kind and I believe that, at this moment of history, feminism is humanism.
The composer does not sit around and wait for an inspiration to walk up and introduce itself...Making music is actually little else than a matter of invention aided and abetted by emotion. In composing we combine what we know of music with what we feel.
Creating is living doubly. The groping, anxious quest of a Proust, his meticulous collecting of flowers, of wallpapers, and of anxieties, signifies nothing else.
What the really great artists do is they're entirely themselves. They're entirely themselves. They've got their own vision, they have their own way of fracturing reality, and if it's authentic and true, you will feel it in your nerve endings.
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