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History is not Time; nor is evolution. They are both consequences. Time is a state: the flame in which there lives the salamander of the human soul.
Andrei Tarkovsky
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Interpretation

What this quote means

This quote emphasizes the distinction between time and history, suggesting that both are outcomes of the human experience rather than mere chronological measures.

Andrei Tarkovsky highlights the difference between time as a temporal dimension and history as a narrative shaped by human actions. He suggests that time exists as a fundamental state, while both history and evolution stem from the human experience, symbolized through the imagery of a salamander that represents the enduring nature of the human soul in the context of existence and consciousness.

Themes

HistoryTimeEvolutionHuman SoulPhilosophy

In practice

Example use cases

This quote can be used in a lecture about the philosophical implications of time and history.

More from Andrei Tarkovsky

AN ARTISTIC DISCOVERY OCCURS EACH TIME AS A NEW AND UNIQUE IMAGE OF THE WORLD, A HIEROGLYPHIC OF ABSOLUTE TRUTH. IT APPEARS AS A REVELATION, AS A MOMENTARY, PASSIONATE WISH TO GRASP INTUITIVELY AND AT A STROKE ALL THE LAWS OF THIS WORLD-ITS BEAUTY AND UGLINESS, ITS COMPASSION AND CRUELTY, ITS INFINITY AND ITS LIMITATIONS.
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When I speak of poetry I am not thinking of it as a genre. Poetry is an awareness of the world, a particular way of relating to reality. So poetry becomes a philosophy to guide a man throughout his life.
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Art would be useless if the world were perfect.
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Perhaps the meaning of all human activity lies in the artistic consciousness, in the pointless and selfless creative act? Perhaps our capacity to create is evidence that we ourselves were created in the image and likeness of God?
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Above all, I feel that the sounds of this world are so beautiful in themselves that if only we could listen to them properly, cinema would have no need for music at all.
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THE ARTISTIC IMAGE IS ALWAYS A METONYM, WHERE ONE THING IS SUBSTITUTED FOR ANOTHER, THE SMALLER FOR THE GREATER. TO TELL OF WHAT IS LIVING, THE ARTIST USES SOMETHING DEAD; TO SPEAK OF THE INFINITE, HE SHOWS THE FINITE.
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