People have to start talking to know more about other cultures and to understand each other.
Martin ScorseseRead
Howard Hughes was this visionary who was obsessed with speed and flying like a god... I loved his idea of what filmmaking was.
Interpretation
Martin Scorsese admires Howard Hughes' visionary approach to speed, flight, and filmmaking.
In this quote, Martin Scorsese reflects on Howard Hughes' obsession with speed and flight, highlighting how this passion transcended into Hughes' vision for filmmaking. Scorsese conveys a sense of inspiration derived from Hughes, suggesting that true creativity and artistry stem from a bold and passionate pursuit of one's dreams, much like Hughes' relentless pursuit of aviation and innovation.
In practice
This quote could be used in a speech about the importance of passion in creative endeavors.
People have to start talking to know more about other cultures and to understand each other.
Eradicating a religion of kindness is, I think, a terrible thing for the Chinese to attempt.
I think all the great studio filmmakers are dead or no longer working. I don't put myself, my friends, and other contemporary filmmakers in their category. I just see us doing some work.
I always say that I've been in a bad mood for maybe 35 years now. I try to lighten it up, but that's what comes out when you get me on camera.
The cinema began with a passionate, physical relationship between celluloid and the artists and craftsmen and technicians who handled it, manipulated it, and came to know it the way a lover comes to know every inch of the body of the beloved. No matter where the cinema goes, we cannot afford to lose sight of its beginnings.
Very often I've known people who wouldn't say a word to each other, but they'd go to see movies together and experience life that way.
Local images have one kind of reality. 'U.S. 1' will, I hope, have that kind and another, too. Poetry can extend the document.
For me painting is a dramatic action in the course of which reality finds itself split apart
The drawings don't start with 'a beautiful mark'. It has to be a mark of something out there in the world. It doesn't have to be an accurate drawing, but it has to stand for an observation, not something that is abstract, like an emotion.
We are increasingly likely to find ourselves in places with background music. No composers have thought to write for these modern spaces, which represent 30% of our musical experience.
I leave you free to imagine any dialogue you please. Choose whatever may charm you. Have it, if you like, that they hear the voice of the blood, or that they fall in love at first sight... Conceive the wildest improbabilities. Have it that the depths of their beings are thrilled at accosting each other in slang. Tangle them suddenly in a swift embrace or a brotherly kiss. Do whatever you like.
Beauty can be consoling, disturbing, sacred, profane; it can be exhilarating, appealing, inspiring, chilling. It can affect us in an unlimited variety of ways. Yet it is never viewed with indifference: beauty demands to be noticed; it speaks to us directly like the voice of an intimate friend. If there are people who are indifferent to beauty, then it is surely because they do not perceive it.
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