Pride is founded not on the sense of happiness, but on the sense of power.
William HazlittRead
The humblest painter is a true scholar; and the best of scholars the scholar of nature.
Interpretation
This quote emphasizes the importance of humility and observation in both art and scholarship.
William Hazlitt suggests that true artistry comes from a deep understanding and respect for nature, implying that even the simplest painter embodies profound knowledge, while the most knowledgeable scholar is one who learns from the natural world. The quote highlights the interconnectedness of art and nature, advocating for a humble and observant approach to both disciplines.
In practice
This quote could be used in an art class to encourage students to observe nature.
Pride is founded not on the sense of happiness, but on the sense of power.
The world loves to be amused by hollow professions, to be deceived by flattering appearances, to live in a state of hallucination; and can forgive everything but the plain, downright, simple, honest truth.
Our repugnance to death increases in proportion to our consciousness of having lived in vain.
We can bear to be deprived of everything but our self-conceit.
There are few things in which we deceive ourselves more than in the esteem we profess to entertain for our firends. It is little better than a piece of quackery. The truth is, we think of them as we please, that is, as they please or displease us.
Prosperity is a great teacher; adversity is a greater. Possession pampers the mind; privation trains and strengthens it.
We are part of each other and part of something bigger than our own egos. An artist should... bring into the world some vision. Dancers should ask, "What is their work in the service of?"
As a novelist, where do you go to tap into memories, and impressions, and sensations? It's usually, in my experience, your early life, before you started thinking of yourself as a writer, because somehow those experiences are unadulterated.
But I'd be lying if I didn't say that every time you go to make a film, you're desperate to either do it better than you did it last time or to not repeat yourself.
After all perhaps the greatness of art lies in the perpetual tension between beauty and pain, the love of men and the madness of creation, unbearable solitude and the exhausting crowd, rejection and consent.
As an architect you design for the present, with an awareness of the past, for a future which is essentially unknown.
In the faint moonlight, the grass is singing
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