I wanted to deal with light directly rather than with paint.
James TurrellRead
I am interested in the physicality of light itself.
Interpretation
The quote expresses a fascination with the tangible aspects and properties of light.
James Turrell's quote reflects his deep interest in the physical nature of light and how it can be experienced. As an artist who manipulates light in his installations, he emphasizes the importance of understanding light not just as a visual phenomenon, but as a material substance that can transform perception and space.
In practice
In a lecture about modern art, one could use this quote to discuss the role of light in contemporary installations.
I wanted to deal with light directly rather than with paint.
It is only when light is reduced that the pupil opens and feeling goes out of the eyes like touch.
I feel that I want to use light as this wonderful and magic elixir that we drink as Vitamin D through the skin - and I mean, we are literally light-eaters - to then affect the way that we see.
In many cases, if we knew what it would take, we might have thought twice about it, so it's often wonderful that we don't have hindsight.
There are different stages when you fly. The first stage is the dollhouse effect, seeing everything on Earth like it's a model. Suddenly, all of your concerns seem very small.
Space has a way of looking. It seems like it has a presence of vision. When you come into it, it is there, itβs been waiting for you.
Playwriting gets into your blood and you can't stop it. At least not until the producers or the public tell you to.
If you don't live it, it won't come out your horn.
The most essential thing in dance discipline is devotion, the steadfast and willing devotion to the labor that makes the classwork not a gymnastic hour and a half, or at the lowest level, a daily drudgery, but a devotion that allows the classroom discipline to become moments of dancing too.
In a lot of films, they're showing more complete, developed characters of diverse ethnic backgrounds. The larger concern is to be able to tastefully explore the stereotypes, and still move past them to see the core of people.
In documentary filmmaking, there's a tradition of telling stories about victims. We often do that from a very patronizing place, but mostly we do it from a very selfish place, to reassure ourselves that our lives are in sympathy and solidarity with the victims.
I remember hearing someone say that good acting is more about taking off a mask than putting one on, and in movie acting, certainly that's true. With the camera so close, you can see right down into your soul, hopefully. So being able to do that in a way is terrifying, and in another way, truly liberating. And I like that about it.
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