I consider music like a mirage in the desert. You're obsessed with the ideal piece of music, and the more you think you're getting closer, it's not there.
Jean Michel JarreRead
I was obsessed with the idea that no two sounds on 'Oxygene' should ever be exactly the same. I wanted a heartbeat feel, something human.
Interpretation
Jarre emphasizes the uniqueness of sound and its emotional connection to humanity.
In this quote, Jean Michel Jarre expresses his artistic philosophy of sound design, emphasizing the importance of distinctiveness in musical compositions. He reflects on his desire for each sound in his work 'Oxygene' to evoke a human feeling, which he associates with the idea of a heartbeat, suggesting that music should resonate on a deeply personal and emotional level.
In practice
In a speech about creativity, this quote might highlight the importance of originality in art.
I consider music like a mirage in the desert. You're obsessed with the ideal piece of music, and the more you think you're getting closer, it's not there.
With electronic music, you are not confined to the acoustics of a concert-hall, and that inspired me to bring my performances outdoors.
For me, electronic music is like cooking: it's a sensual organic activity where you can mix ingredients.
I thought we had opposite visions of electronic music. Tangerine Dream and Kraftwerk had a very robotic, mechanical approach. I had a more impressionist vision - a Ravel/Debussy approach.
Saying that you don't care about the right to privacy because you have nothing to hide is no different than saying you don't care about freedom of speech because you have nothing to say.
The major rock instruments and classical instruments were designed for performance, for sharing the music with an audience, and then later people put microphones on them and recorded them. But for electronic music, the opposite was true - they're designed in laboratories, and later, we tried to put them on stage.
I've always had great respect for Paddington because he is amusingly English and eccentric. He is a great British institution and my generation grew up with the books and then Michael Horden's animations.
Architecture, like dance, is also a language - one that everybody understands.
I think literary theory satisfied a deep love I have for big, encompassing narratives about the world and how it works - which are usually, in the end, more creative visions unto themselves than illuminating explanations.
Behind every exquisite thing that existed, there was something tragic.
On Painting Rats, and the Glorification of Them. They exist without permission. They are hated, hunted and persecuted. They live in quiet desperation amongst the filth. And yet they are capable of bringing entire civilizations to their knees. If you are dirty, insignificant, and unloved then rats are the ultimate role model.
When I write something, I can't remember in the end if this is a memory or if it's not - I'm talking about fiction. So for me, it's the same thing.
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