I consider music like a mirage in the desert. You're obsessed with the ideal piece of music, and the more you think you're getting closer, it's not there.
Jean Michel JarreRead
I was obsessed with the idea that no two sounds on 'Oxygene' should ever be exactly the same. I wanted a heartbeat feel, something human.
Interpretation
Jarre emphasizes the uniqueness of sound and its emotional connection to humanity.
In this quote, Jean Michel Jarre expresses his artistic philosophy of sound design, emphasizing the importance of distinctiveness in musical compositions. He reflects on his desire for each sound in his work 'Oxygene' to evoke a human feeling, which he associates with the idea of a heartbeat, suggesting that music should resonate on a deeply personal and emotional level.
In practice
In a speech about creativity, this quote might highlight the importance of originality in art.
I consider music like a mirage in the desert. You're obsessed with the ideal piece of music, and the more you think you're getting closer, it's not there.
With electronic music, you are not confined to the acoustics of a concert-hall, and that inspired me to bring my performances outdoors.
For me, electronic music is like cooking: it's a sensual organic activity where you can mix ingredients.
I thought we had opposite visions of electronic music. Tangerine Dream and Kraftwerk had a very robotic, mechanical approach. I had a more impressionist vision - a Ravel/Debussy approach.
Saying that you don't care about the right to privacy because you have nothing to hide is no different than saying you don't care about freedom of speech because you have nothing to say.
The major rock instruments and classical instruments were designed for performance, for sharing the music with an audience, and then later people put microphones on them and recorded them. But for electronic music, the opposite was true - they're designed in laboratories, and later, we tried to put them on stage.
Art is, for me, the process of trying to wake up the soul. Because we live in an industrialized, fast-paced world that prefers that the soul remain asleep.
I think if I've worked anything through with screenwriting it's that I'm not going to be able to work anything through.
We must be vigilant in sharing our stories and our truths as queer parents of color at every chance we get if we hope to see art imitate real life.
Making a film is hard because you're not dealing with the intangible. When you're writing, it's perfect because it's only in your head and then you have to take it into the physical world and that's where things drop off and things fall apart and you have to fix them.
I get that same queasy, nervous, thrilling feeling every time I go to work. That's never worn off since I was 12 years-old with my dad's 8-millimeter movie camera.
I don't know what the hell I'm doing up there half the time. These performers that go on about their technique and craft - oh, puleeze! How boring! I don't know what technique means. But I do know what experience is. I know in my gut when I've done a scene right.
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