If I body-shame a woman, it is more a reflection of me being critical of my body, me not being able to keep up to certain standards I have, and so making sure that the women around me feel the same way.
Rupi KaurRead
I'm a brown girl from a Punjabi pind raised in Toronto. I don't expect literary critics and purists to understand the nuances of my experiences, and the experiences of the people around me... And my tradition holds that there is a magic in the written word. So how I write, what I write of, and why I write all comes naturally.
Interpretation
The quote emphasizes the unique perspective shaped by personal background, particularly in relation to writing and culture.
In this quote, Rupi Kaur expresses her identity as a Punjabi girl raised in Toronto and acknowledges that her experiences may not be easily comprehended by literary critics or purists. She highlights the intrinsic value and magic of writing that stems from her personal experiences and cultural background, suggesting that authenticity in how she writes is essential to her craft.
In practice
This quote could inspire students during a creative writing workshop to embrace their unique backgrounds.
If I body-shame a woman, it is more a reflection of me being critical of my body, me not being able to keep up to certain standards I have, and so making sure that the women around me feel the same way.
There have been articles saying that all women need to read my book. I ask, why not all men? In fact, that would be even more valuable because we women want to sit down with men and tell them - this is how we feel, this is what we go through.
When I was little, my dad told me about Anandpur Sahib and the court of Guru Gobind Singh. That we came from a tradition of poets, warriors and artists who created when it was illegal to create... we're groomed to be reckless in the defense of what we feel is right.
I wasn't entitled to dream so big. The idea of me being a writer wasn't even possible in my mind. Even when I began to write and first published, I couldn't call myself a writer.
The way a small child might dream of visiting Disneyland, I dreamed of writing books. Never did I think my poems would become that.
I was always writing for myself. I wrote what I needed to write and hear - that's what makes it powerful.
The idea is, if I can't heal from my art, then how can you heal?
Finally, the most grandiose result of the photographic enterprise is to give us the sense that we can hold the whole world in our heads β as an anthology of images. To collect photographs is to collect the world
When you look back on a lifetime and think of what has been given to the world by your presence, your fugitive presence, inevitably you think of your art, whatever it may be, as the gift you have made to the world in acknowledgment of the gift you have been given, which is the life itself... That work is not an expression of the desire for praise or recognition, or prizes, but the deepest manifestation of your gratitiude for the gift of life.
Once, when we were playing at the Apollo Theater, Holiday was working a block away at the Harlem Opera House. Some of us went over between shows to catch her, and afterwards we went backstage. I did something then, and I still don't know if it was the right thing to doβI asked her for her autograph.
It still amazes and fascinates me that women of color have kept my work alive for these many generations.
The role of the musician is to go from concept to full execution. Put another way, it's to go from understanding the content of something to really learning how to communicate it and make sure it's well-received and lives in somebody else.
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