One can imagine the look the two lovers exchanged; it was like a flame, for virtuous lovers have not a shred of hypocrisy.
Honore De BalzacRead
I'm a great poet. I don't put my poems on paper: they consist of actions and feelings.
Interpretation
The quote emphasizes that true artistry lies in actions and emotions rather than written words.
Honore De Balzac highlights the idea that poetry and artistry are not solely confined to written text but are best expressed through our actions and emotions. This perspective suggests that the essence of creativity and poetic expression can be found in how we live and interact with the world, making our experiences and feelings the true poetry of life.
In practice
In a discussion about creativity, this quote could illustrate how one expresses feelings through actions, not just words.
One can imagine the look the two lovers exchanged; it was like a flame, for virtuous lovers have not a shred of hypocrisy.
Loyalty in time of need is possibly one of the noblest of victories a courtier can win over himself.
Marriage must incessantly contend with a monster that devours everything: familiarity.
Who is to decide which is the grimmer sight: withered hearts, or empty skulls?
However gross a man may be, the minute he expresses a strong and genuine affection, some inner secretion alters his features, animates his gestures, and colors his voice. The stupidest man will often, under the stress of passion, achieve heights of eloquence, in thought if not in language, and seem to move in some luminous sphere. Goriot's voice and gesture had at this moment the power of communication that characterizes the great actor. Are not our finer feelings the poems of the human will?
Love is a religion, and its rituals cost more than those of other religions. It goes by quickly and, like a street urchin, it likes to mark its passage by a trail of devastation.
Female characters in literature are full. They're messy: they've got runny noses and burp and belch. Unfortunately, in film, female characters don't often have that kind of richness.
I think an artist, in my definition of that word, would not be someone who takes sides with the emperor against his powerless subjects. That's different from prescribing a way in which a writer should write.
It was in the 1920s, when nobody had time to reflect, that I saw a still-life painting with a flower that was perfectly exquisite, but so small you really could not appreciate it.
Being a writer is a very peculiar sort of a job: it's always you versus a blank sheet of paper (or a blank screen) and quite often the blank piece of paper wins.
The poetical impression of any object is that uneasy, exquisite sense of beauty or power that cannot be contained within itself; that is impatient of all limit; that (as flame bends to flame) strives to link itself to some other image of kindred beauty or grandeur; to enshrine itself, as it were, in the highest forms of fancy, and to relieve the aching sense of pleasure by expressing it in the boldest manner.
The way a character looks reflects what's on the inside. I can make myself look really bad, and I can make myself look kind of gorgeous. It's not about me; it's about the character.
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