People don't talk to you properly. It's the way they talk to you; they dismiss you. I think it's a combination of me being a woman and a foreigner.
Zaha HadidRead
I'm trying to discover - invent, I suppose - an architecture, and forms of urban planning, that do something of the same thing in a contemporary way. I started out trying to create buildings that would sparkle like isolated jewels; now I want them to connect, to form a new kind of landscape, to flow together with contemporary cities and the lives of their peoples.
Interpretation
Zaha Hadid expresses the desire to create architecture that integrates and harmonizes with urban life.
In this quote, Zaha Hadid reflects on her evolution as an architect, moving from the creation of individual, eye-catching buildings to designing integrated urban environments. She emphasizes the importance of architecture that not only stands out but also connects with the surrounding urban fabric, enhancing the lives of the people who inhabit those spaces.
In practice
In a presentation about modern architecture trends, one could use this quote to illustrate the shift towards integrated urban designs.
People don't talk to you properly. It's the way they talk to you; they dismiss you. I think it's a combination of me being a woman and a foreigner.
I don't think people should do things because you know, 'I am turning this age, I must go have a husband.' If you find somebody and it works out then have kids, it's very nice. But if you don't, you don't.
It is insufficient for architecture today to directly implement an existing building typology; it instead requires architects to carefully examine the whole area with new interventions and programmatic typologies
It's very important that historic cities are allowed to reinvent their future.
Architecture is really about well-being. I think that people want to feel good in a space ... On the one hand it's about shelter, but it's also about pleasure.
You have to really believe not only in yourself; you have to believe that the world is actually worth your sacrifices.
Oh, let there be nothing on earth but laundry,_x000D_ Nothing but rosy hands in the rising steam_x000D_ And clear dances done in the sight of heaven.
An artist's saddest secrets are those that have to do with his artistry.
It's simple: You get a part. You play a part. You play it well. You do your work and you go home. And what is wonderful about movies is that once they're done, they belong to the people. Once you make it, it's what they see. That's where my head is at.
I try to have each book be an antidote to the one before.
Adapting a novel is not really about being faithful to every word and every moment the author has created. It's more about that same story being filtered through somebody else's sensibility.
Clothes are unique sculptures, dependent on a supporting human form and created to move.
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