People don't talk to you properly. It's the way they talk to you; they dismiss you. I think it's a combination of me being a woman and a foreigner.
Zaha HadidRead
I'm trying to discover - invent, I suppose - an architecture, and forms of urban planning, that do something of the same thing in a contemporary way. I started out trying to create buildings that would sparkle like isolated jewels; now I want them to connect, to form a new kind of landscape, to flow together with contemporary cities and the lives of their peoples.
Interpretation
Zaha Hadid expresses the desire to create architecture that integrates and harmonizes with urban life.
In this quote, Zaha Hadid reflects on her evolution as an architect, moving from the creation of individual, eye-catching buildings to designing integrated urban environments. She emphasizes the importance of architecture that not only stands out but also connects with the surrounding urban fabric, enhancing the lives of the people who inhabit those spaces.
In practice
In a presentation about modern architecture trends, one could use this quote to illustrate the shift towards integrated urban designs.
People don't talk to you properly. It's the way they talk to you; they dismiss you. I think it's a combination of me being a woman and a foreigner.
I don't think people should do things because you know, 'I am turning this age, I must go have a husband.' If you find somebody and it works out then have kids, it's very nice. But if you don't, you don't.
It is insufficient for architecture today to directly implement an existing building typology; it instead requires architects to carefully examine the whole area with new interventions and programmatic typologies
It's very important that historic cities are allowed to reinvent their future.
Architecture is really about well-being. I think that people want to feel good in a space ... On the one hand it's about shelter, but it's also about pleasure.
You have to really believe not only in yourself; you have to believe that the world is actually worth your sacrifices.
If I'm honest I have to tell you I still read fairy-tales and I like them best of all.
Artists teach critics what to think. Critics repeat what the artists teach them.
There are many other little refinements too, Mr. Bohlen. You'll see them all when you study the plans carefully. For example, there's a trick that nearly every writer uses, of inserting at least one long, obscure word into each story. This makes the reader think that the man is very wise and clever. So I have the machine do the same thing. There'll be a whole stack of long words stored away just for this purpose." Where?" In the 'word-memory' section," he said, epexegetically.
I dont ever want to do anything mediocre. I hear the music in the charts and I dont mean to be rude, but those people have no soul. Learning from music is like eating a meal - you have to pace yourself. You cant take everything from it all at once. I want to be different, definitely. Im not a one trick pony. Im at least a five-trick pony.
The job of the writer is to take a close and uncomfortable look at the world they inhabit, the world we all inhabit, and the job of the novel is to make the corpse stink.
I don't know much about God. But if everything does originate with God, then certainly songs do as well.
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