My role 14 years ago in Richard III - that was the first time I played a bad guy and learned a lot about it - they have all the fun!
Denzel WashingtonRead
It's simple: You get a part. You play a part. You play it well. You do your work and you go home. And what is wonderful about movies is that once they're done, they belong to the people. Once you make it, it's what they see. That's where my head is at.
Interpretation
The quote emphasizes the collaborative nature of filmmaking and the connection between the artist's work and the audience.
Denzel Washington reflects on the essence of filmmaking, highlighting the importance of individual contributions in a collective effort. He expresses that every artist plays a specific role in creating a film, and once completed, the work transcends the creators and belongs to the audience, illustrating a deep appreciation for art's impact on people.
In practice
This quote could be used in a speech at a film festival to inspire budding filmmakers.
My role 14 years ago in Richard III - that was the first time I played a bad guy and learned a lot about it - they have all the fun!
I'd be more frightened by not using whatever abilities I'd been given. I'd be more frightened by procrastination and laziness.
Man gives you the award but God gives you the reward.
You have to grab moments when they happen. I like to improvise and ad lib.
I work hard for the audience. It's entertainment. I don't need validation.
Money doesn't buy happiness. Some people say it's a heck of a down payment, though.
New Orleans had a great tradition of celebration. Opera, military marching bands, folk music, the blues, different types of church music, ragtime, echoes of traditional African drumming, and all of the dance styles that went with this music could be heard and seen throughout the city. When all of these kinds of music blended into one, jazz was born.
Stand-up is the only thing in which you actually write it, act it and direct it simultaneously, so it's actually a great theater exercise.
I could never overstate the importance of a musician's need to develop his or her ear. Actually, I believe that developing a good 'inner ear' - the art of being able to decipher musical components solely through listening - is the most important element in becoming a good musician.
I thought we had opposite visions of electronic music. Tangerine Dream and Kraftwerk had a very robotic, mechanical approach. I had a more impressionist vision - a Ravel/Debussy approach.
I don't want to repeat myself. I'm not going to play a guy like Allen in Happiness again any time soon because I did that and I don't want to tarnish or dilute that film by doing it again, maybe less well.
One must do the same subject over again ten times, a hundred times. In art nothing must resemble an accident, not even movement.
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