My role 14 years ago in Richard III - that was the first time I played a bad guy and learned a lot about it - they have all the fun!
Denzel WashingtonRead
It's simple: You get a part. You play a part. You play it well. You do your work and you go home. And what is wonderful about movies is that once they're done, they belong to the people. Once you make it, it's what they see. That's where my head is at.
Interpretation
The quote emphasizes the collaborative nature of filmmaking and the connection between the artist's work and the audience.
Denzel Washington reflects on the essence of filmmaking, highlighting the importance of individual contributions in a collective effort. He expresses that every artist plays a specific role in creating a film, and once completed, the work transcends the creators and belongs to the audience, illustrating a deep appreciation for art's impact on people.
In practice
This quote could be used in a speech at a film festival to inspire budding filmmakers.
My role 14 years ago in Richard III - that was the first time I played a bad guy and learned a lot about it - they have all the fun!
I'd be more frightened by not using whatever abilities I'd been given. I'd be more frightened by procrastination and laziness.
Man gives you the award but God gives you the reward.
You have to grab moments when they happen. I like to improvise and ad lib.
I work hard for the audience. It's entertainment. I don't need validation.
Money doesn't buy happiness. Some people say it's a heck of a down payment, though.
I film normal-life subjects in natural settings that some people would consider uncinematic. But what I want to show is nature itself, as the truth of life.
You can't just tell actors, especially young ones, to 'act happy' and expect them to do it. They must in some essential way be happy.
Poetry is more a threshold than a path.
This is the light of the mind, cold and planetary. The trees of the mind are black. The light is blue.
Night came walking through Egypt swishing her black dress.
Poetry is not a genre in harmony with the modern world; its innermost nature is hostile or indifferent to the dogmas of modern times, progress and the cult of the future.
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