There's something really cool about taking oily coloured paste and pushing it around with these hairy sticks and making something that looks like you. That's the magic of painting.
Kehinde WileyRead
I'm about looking at each of those perceived menacing black men that you see in the streets all over the place, people that you oftentimes will walk past without assuming that they have the same humanity, fears that we all do.
Interpretation
This quote emphasizes the shared humanity and fears between individuals, regardless of their appearance or background.
Kehinde Wiley's quote challenges the societal perceptions that often dehumanize individuals, particularly black men, who are frequently viewed as threatening or dangerous. By urging people to recognize the shared humanity and fears that we all experience, Wiley advocates for empathy and understanding in a world where assumptions based on appearance can lead to division and misunderstanding.
In practice
This could be used in a speech about social justice to highlight the importance of seeing beyond stereotypes.
There's something really cool about taking oily coloured paste and pushing it around with these hairy sticks and making something that looks like you. That's the magic of painting.
This idea that my work is about hip-hop is a little reductive. What I'm interested in is the performance of masculinity, the performance of ethnicity, and how they intermingle across cultures.
What is portraiture? It's choice. It's the ability to position your body in the world for the world to celebrate you on your own terms.
The ability to be the first African-American painter to paint the first African-American president of the United States is absolutely overwhelming. It doesn't get any better than that.
Painting is about the world that we live in. Black men live in the world. My choice is to include them.
What I try to do is defy expectations in terms of boundaries, whether it is high or low art, pop culture, or fine-art culture. My work is about reconciling myriad cultural influences and bringing them into one picture.
For many years, I have lived uncomfortably with the belief that most planning and architectural design suffers for lack of real and basic purpose. The ultimate purpose, it seems to me, must be the improvement of mankind.
But I have to add - and this answers your other question - this catholicity in time and in space is only meaningful for me if there is, at the same time, a concentration on the Gospel.
We need not be theologians to see that we have shifted responsibility for making the world interesting from God to the newspaperman.
That anyone who possesses power has a tendency to abuse it is an eternal truth. They tend to go as far as the barriers will allow.
We are compelled by reflection to recognize that God is not to be placed against the material world [as in Christianity], but must be placed as a 'divine power' or 'moving spirit' within the cosmos itself ... All the wonderful phenomena of nature around us, organic as well as inorganic, are only various products of one and the same original force.
The grandchildren should not bear the debts of the grandparents.
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