Before I'm a writer, I'm definitely a reader and when I read memoir, I really want it to be true.
Interpretation
The importance of authenticity in memoir writing and the reader's desire for truthful accounts.
In this quote, Augusten Burroughs emphasizes that his identity as a reader precedes that of a writer, highlighting the profound impact of reading on his writing journey. He expresses a strong desire for memoirs to reflect truth and authenticity, indicating that readers seek genuine experiences and narratives that resonate with their own realities.
In practice
During a book club discussion, I can use this quote to highlight the significance of truth in memoirs.
This is how you survive the unsurvivable, this is how you lose that which you cannot bear to lose, this is how you reinvent yourself, overcome your abusers, fulfill your ambitions and meet the love of your life: by following what is true, no matter where it leads you.
The truth is humbling, terrifying, and often exhilarating. It blows the doors off the hinges and fills the world with fresh air.
Some damage is too severe, some harm endures. And what you have to do is accept it. And by accept it I mean, don’t be the paralyzed person in the bed who is waiting to walk again. Realize, it’s never gonna happen. And find some other way to get around –swing from a vine, get a Mad Max wheelchair. Anything but…wait.
But then, look at me. My brain is incorrectly formed, and I'm shaped like a tube. Plus, I'm an alcoholic, a "survivor" of childhood sexual abuse, was raised in a cult and have no education. So, really, if you think about it, the only thing that separates me from the guy with the stinky foot and no teeth is a book deal and some cologne.
I think part of the reason I'm attracted to Foster is because he's such a mess. I mean, the people I have loved in my life have never been easy to love. I'm not used to normal. I'm used to disaster. I don't know, as messed up as he is, he's also sort of exciting, sort of a challenge. I'm accustomed to working for love.
Time moves only forward, never back. We look forward to a moment and then it arrives and an instant later it is gone. Like something on the surface of a river that we reached for but did not touch in time and it carried on, away. You cannot be a prisoner of your past against your will. Because you can only live in the past inside your mind.
When a reader falls in love with a book, it leaves its essence inside him, like radioactive fallout in an arable field, and after that there are certain crops that will no longer grow in him, while other, stranger, more fantastic growths may occasionally be produced.
Two questions form the foundation of all novels: "What if?" and "What next?" (A third question, "What now?", is one the author asks himself every 10 minutes or so; but it's more a cry than a question.) Every novel begins with the speculative question, What if "X" happened? That's how you start.
People without hope not only don't write novels, but what is more to the point, they don't read them.
It's in being read that a book becomes a book, and in each of a million different readings a book become one of a million different books . . .
No literature is complete until the language it was written in is dead.
And I desperately needed books that would take me out of my environment and show me a world where being smart and brave and prepared was more important than being cute or cheerful or knowing the right thing to say. And that's what science fiction and fantasy gave me.
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