What we want is to see the child in pursuit of knowledge, and not knowledge in pursuit of the child.
George Bernard ShawRead
You are my inspiration and my folly. You are my light across the sea, my million nameless joys, and my day's wage. You are my divinity, my madness, my selfishness, my transfiguration and purification. You are my rapscallionly fellow vagabond, my tempter and star. I want you.
Interpretation
This quote expresses deep affection and admiration, highlighting the complexities of love and inspiration.
In this quote, George Bernard Shaw conveys the intense emotions that come with love, describing the beloved as both a source of inspiration and a playful folly. It reflects the multifaceted nature of relationships, where one can feel admiration, joy, and chaos simultaneously, emphasizing the transformative power of love in one's life.
In practice
This quote can be shared during a wedding ceremony to highlight the depth of love.
What we want is to see the child in pursuit of knowledge, and not knowledge in pursuit of the child.
Marriage is good enough for the lower classes: they have facilities for desertion that are denied to us.
Forgive him, for he believes that the customs of his tribe are the laws of nature!
Those who talk most about the blessings of marriage and the constancy of its vows are the very people who declare that if the chain were broken and the prisoners left free to choose, the whole social fabric would fly asunder. You cannot have the argument both ways. If the prisoner is happy, why lock him in? If he is not, why pretend that he is?
Treat a friend as a person who may someday become your enemy; an enemy as a person who may someday become your friend.
The happiness of credulity is a cheap and dangerous quality.
Hope is a lover's staff; walk hence with that_x000D_ _x000D_ And manage it against despairing thoughts.
Then again, you cannot stop the flood of desire as it moves through the world, inappropriate though it may sometimes be. It is the prerogative of all humans to make ludicrous choices, to fall in love with the most unlikely of partners, and to set themselves up for the most predicatable of calamities.
We are not actually equal - humanity - if we are not allowed to freely love one another.
Human love serves to love those dear to us but to love one's enemies we need divine love.
What did my fingers do before they held him? What did my heart do, with its love?
A happy ending was imperative. I shouldn't have bothered to write otherwise. I was determined that in fiction anyway two men should fall in love and remain in it for the ever and ever that fiction allows, and in this sense, Maurice and Alec still roam the greenwood.
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