One of the great things about books is you can afford to do anything.
George R. R. MartinRead
I've always taken that as my guiding principle and the rest is just set dressing. You can have dragons in it, or aliens and starships, or a western about a gunslinger, or even literary fiction, and ultimately you're still writing about the human heart in conflict with itself.
Interpretation
The essence of storytelling lies in exploring human emotions and conflicts, regardless of the setting or genre.
George R. R. Martin emphasizes that at the core of every story, regardless of its fantastical elements or genre—be it dragons or gunslingers—there is a profound exploration of human nature and inner conflict. This suggests that the heart of storytelling transcends the superficial details and focuses on the emotional truths of the human experience.
In practice
This quote is perfect for a writing workshop discussing the essence of narrative.
One of the great things about books is you can afford to do anything.
I hate outlines. I have a broad sense of where the story is going; I know the end, I know the end of the principal characters, and I know the major turning points and events from the books, the climaxes for each book, but I don't necessarily know each twist and turn along the way. That's something I discover in the course of writing and that's what makes writing enjoyable. I think if I outlined comprehensively and stuck to the outline the actual writing would be boring.
There is only one god and his name is Death. And there is only one thing we say to Death: “Not today.
I did not do it. Yet now I wish I had.’ He turned to face the hall, that sea of pale faces. ‘I wish I had enough poison for you all. You make me sorry that I am not the monster you would have me be, yet there it is. I am innocent, but I will get no justice here.
But a voice inside her whispered, There are no heroes, and she remembered what Lord Petyr had said to her, here in this very hall. 'Life is not a song, sweetling,' he'd told her, 'You may learn that one day to your sorrow.' In life, the monsters win, she told herself.
I write from this tight third-person viewpoint, where each chapter is seen through the eyes of one individual character. When I'm writing that character, I become that character and identify with that character.
I am interested in madness. I believe it is the biggest thing in the human race, and the most constant. How do you take away from a man his madness without also taking away his identity? Are we sure it is desirable for a man's spirit not to be at war with itself, or that it is better to be serene and ready to go to dinner than to be excited and unwilling to stop for a cup of coffee, even?
History is but the unrolled scroll of prophecy.
This life is not real. I conquered the world and it did not bring me satisfaction.
Our histories cling to us. We are shaped by where we come from.
Nothing prevents one from appearing natural as the desire to appear natural.
There are no beautiful surfaces without a terrible depth.
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