I really do live for the future, because when I'm eating a box of candy, I can't wait to taste the last piece.
Andy WarholRead
Believe me... I've made a career out of being the right thing in the wrong space and the wrong thing in the right space. That's one thing... I really do know about.
Interpretation
The quote reflects the idea of unconventional success in unexpected situations.
Andy Warhol's quote suggests that he has thrived by navigating through contradictions and embracing his uniqueness. He highlights how success can come from being out of place or breaking traditional norms, emphasizing the importance of authenticity and creativity in one's career.
In practice
In a motivational speech about embracing one's uniqueness.
I really do live for the future, because when I'm eating a box of candy, I can't wait to taste the last piece.
Fantasy love is much better than reality love. Never doing it is very exciting. The most exciting attractions are between two opposites that never meet.
I love Los Angeles. I love Hollywood. They're beautiful. Everybody's plastic, but I love plastic. I want to be plastic.
Being good in business is the most fascinating kind of art
I never wanted to be a painter; I wanted to be a tap dancer.
I like to be the right thing in the wrong space and the wrong thing in the right space. But usually being the right thing in the wrong space and the wrong thing in the right space is worth it, because something funny always happens.
I love singing jazz. I don't like the idea that classical music should be over here and jazz should be someplace else. It's all wonderful, and we should be open to enjoying it all.
People haven't always been there for me, but music always has.
They'll sell you thousands of greens. Veronese green and emerald green and cadmium green and any sort of green you like; but that particular green, never.
The Florida in my novels is not as seedy as the real Florida. It's hard to stay ahead of the curve. Every time I write a scene that I think is the sickest thing I have ever dreamed up, it is surpassed by something that happens in real life.
I aspire to a poetry of great formal integrity, deep passion and high intellect, and I have many models for how to do that.
You cannot own a symphony or a novel in the way you can own a Damien Hirst. As a result there are far fewer fake symphonies or fake novels than there are fake works of visual art.
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