First of all, I swore it was two people playing. When I finally admitted to myself that was one man, I gave up the piano for a month. I figured it was hopeless to practice.
Oscar PetersonRead
Too many jazz pianists limit themselves to a personal style, a trademark, so to speak. They confine themselves to one type of playing. I believe in using the entire piano as a single instrument capable of expressing every possible musical idea. I have no one style. I play as I feel.
Interpretation
The quote emphasizes the importance of versatility in musical expression rather than adhering to a single style.
Oscar Peterson's quote highlights the limitations that many jazz pianists impose on themselves by sticking to a personal style or trademark. He advocates for a broader approach to music, suggesting that the piano should be utilized as a whole to convey the full range of musical ideas. By stating he has no one style and plays as he feels, Peterson champions artistic freedom and the exploration of diverse expressions in music.
In practice
In a music class discussing improvisation techniques.
First of all, I swore it was two people playing. When I finally admitted to myself that was one man, I gave up the piano for a month. I figured it was hopeless to practice.
Too many jazz pianists limit themselves to a personal style, a trademark, so to speak. They confine themselves to one type of playing.
I don't believe that a lot of the things I hear on the air today are going to be played for as long a time as Coleman Hawkins records or Brahms concertos.
It's the group sound that's important, even when you're playing a solo. You not only have to know your own instrument, you must know the others and how to back them up at all times. That's jazz.
Montreal was a very active jazz center until club owners started putting in strippers instead of music. Before long, there was nothing to hear.
You not only have to know your own instrument, you must know the others and how to back them up at all times. That's jazz.
I began by listening to my mother's collection of Amelita Galli-Curci and Lily Pons records, and then was taken (at age eight) to hear Pons at a Met performance of Lakme. It was at that moment that I decided to become an opera star. Not just an opera singer, but an opera star!
While all the other kids were out playing ball and stuff, I used to stay in my room and imagine that there was a camera in the wall. And I used to really believe that I was putting on a television show and that it was going out to somewhere in the world.
My early childhood equipped me really well for my portrait work: The quick encounter, where you are not going to know the subject for very long. These days I am much more comfortable with the fifteen minute relationship, than I am with a life long relationship.
Teaism is a cult founded on the adoration of the beautiful among the sordid facts of everyday existence. It inculcates purity and harmony, the mystery of mutual charity, the romanticism of the social order.
I'm not sure I would have ever started to draw, let alone write, if my childhood hadn't been so happy. It was a mixture of comfort and adventure. An excellent mixture!
Time broadens the scope of verses and I know of some which, like music, are everything for all men.
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