Too many jazz pianists limit themselves to a personal style, a trademark, so to speak. They confine themselves to one type of playing.
Oscar PetersonRead
First of all, I swore it was two people playing. When I finally admitted to myself that was one man, I gave up the piano for a month. I figured it was hopeless to practice.
Interpretation
The quote reflects the struggle of self-doubt and the realization of one's limitations in comparison to exceptional talent.
In this quote, Oscar Peterson conveys the moment of realization when he believed that the piano performance he admired was by two skilled musicians rather than just one. This revelation led to feelings of inadequacy, prompting him to give up playing for a month, showcasing the internal battle between aspiration and self-doubt that many artists face.
In practice
In a music class discussion about the nature of talent and practice.
Too many jazz pianists limit themselves to a personal style, a trademark, so to speak. They confine themselves to one type of playing.
I don't believe that a lot of the things I hear on the air today are going to be played for as long a time as Coleman Hawkins records or Brahms concertos.
It's the group sound that's important, even when you're playing a solo. You not only have to know your own instrument, you must know the others and how to back them up at all times. That's jazz.
Montreal was a very active jazz center until club owners started putting in strippers instead of music. Before long, there was nothing to hear.
Too many jazz pianists limit themselves to a personal style, a trademark, so to speak. They confine themselves to one type of playing. I believe in using the entire piano as a single instrument capable of expressing every possible musical idea. I have no one style. I play as I feel.
You not only have to know your own instrument, you must know the others and how to back them up at all times. That's jazz.
I love the relationship that anyone has with music ... because there's something in us that is beyond the reach of words, something that eludes and defies our best attempts to spit it out. ... It's the best part of us probably.
Anybody with money can put on a KISS show, but they can't be KISS.
Garage rock is music for older people with young souls and young people with old souls. It's a certain sensibility, and you may have it when you're 17 or when you're 67.
There's something beautifully friendly and elevating about a bunch of guys playing music together. This wonderful little world that is unassailable. It's really teamwork, one guy supporting the others, and it's all for one purpose, and there's no flies in the ointment, for a while. And nobody conducting, it's all up to you. It's really jazz__that's the big secret. Rock and roll ain't nothing but jazz with a hard backbeat.
It's not about battling the original artists when I record these songs, it's about paying tribute to them.
Few rappers realize the genre sprang from West African griots through Delta slave songs to jazz poetry and the comedic trash talk of 'the dozens.'
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