First of all, I swore it was two people playing. When I finally admitted to myself that was one man, I gave up the piano for a month. I figured it was hopeless to practice.
Oscar PetersonRead
Too many jazz pianists limit themselves to a personal style, a trademark, so to speak. They confine themselves to one type of playing.
Interpretation
Artists should explore diverse styles rather than limiting themselves to a single approach.
Oscar Peterson highlights the importance of versatility in jazz piano playing. He points out that many pianists restrict themselves to a single personal style for the sake of a recognizable trademark, which ultimately hinders their growth and creativity. Embracing a broader array of techniques and influences can lead to greater artistry and innovation in music.
In practice
In a workshop on musical creativity, a teacher might quote this to encourage students to try new styles.
First of all, I swore it was two people playing. When I finally admitted to myself that was one man, I gave up the piano for a month. I figured it was hopeless to practice.
I don't believe that a lot of the things I hear on the air today are going to be played for as long a time as Coleman Hawkins records or Brahms concertos.
It's the group sound that's important, even when you're playing a solo. You not only have to know your own instrument, you must know the others and how to back them up at all times. That's jazz.
Montreal was a very active jazz center until club owners started putting in strippers instead of music. Before long, there was nothing to hear.
Too many jazz pianists limit themselves to a personal style, a trademark, so to speak. They confine themselves to one type of playing. I believe in using the entire piano as a single instrument capable of expressing every possible musical idea. I have no one style. I play as I feel.
You not only have to know your own instrument, you must know the others and how to back them up at all times. That's jazz.
Ninety-nine percent of singing is listening and hearing, and so then 1 percent of it is singing.
Hurry, get on board, it's comin', listen to those rails a-thrumming all aboard. Get on the "A" train, soon you will be on Sugar Hill in Harlem.
Sometimes I wish I had taken the Bob Dylan route and sang songs where my voice would not go out on me every night, so I could have a career if I wanted.
Garage rock is music for older people with young souls and young people with old souls. It's a certain sensibility, and you may have it when you're 17 or when you're 67.
I have been accused of being a very simplistic, very lyrical player, and that's okay. That just comes from the blues, which is my background. But every day you wake up and transcend. You can't ever rest on your laurels.
I get offended when people say, 'So, being a white rapper...and growing up white...after being born white...' It's all I ever hear!
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