First of all, I swore it was two people playing. When I finally admitted to myself that was one man, I gave up the piano for a month. I figured it was hopeless to practice.
Oscar PetersonRead
Too many jazz pianists limit themselves to a personal style, a trademark, so to speak. They confine themselves to one type of playing.
Interpretation
Artists should explore diverse styles rather than limiting themselves to a single approach.
Oscar Peterson highlights the importance of versatility in jazz piano playing. He points out that many pianists restrict themselves to a single personal style for the sake of a recognizable trademark, which ultimately hinders their growth and creativity. Embracing a broader array of techniques and influences can lead to greater artistry and innovation in music.
In practice
In a workshop on musical creativity, a teacher might quote this to encourage students to try new styles.
First of all, I swore it was two people playing. When I finally admitted to myself that was one man, I gave up the piano for a month. I figured it was hopeless to practice.
I don't believe that a lot of the things I hear on the air today are going to be played for as long a time as Coleman Hawkins records or Brahms concertos.
It's the group sound that's important, even when you're playing a solo. You not only have to know your own instrument, you must know the others and how to back them up at all times. That's jazz.
Montreal was a very active jazz center until club owners started putting in strippers instead of music. Before long, there was nothing to hear.
Too many jazz pianists limit themselves to a personal style, a trademark, so to speak. They confine themselves to one type of playing. I believe in using the entire piano as a single instrument capable of expressing every possible musical idea. I have no one style. I play as I feel.
You not only have to know your own instrument, you must know the others and how to back them up at all times. That's jazz.
I'd like to think that when I sing a song, I can let you know all about the heartbreak, struggle, lies and kicks in the ass I've gotten over the years for being black and everything else, without actually saying a word about it.
In this day and age, when you can use a machine or computer to simulate or emulate what people can do together, it still can't replace the magic of four people in a room playing.
It's now taken for granted that women are in bands and you can say feminist things in your songs. But back in the early '90s, there was a lot of violence at Bikini Kill shows that people don't realize happened.
When my time is up in hip-hop, it's going to remain what Afrika Bambaataa thought it was supposed to be. It's going to remain what Kool Herc thought it was supposed to be; what Wu-Tang Clan sees it as; what Outkast sees it as; what Snoop Dogg sees it as. People are trying to forget that brand of hip-hop.
I'm the keeper of the flame for Whitney Houston. She was the greatest... and I don't want the world to forget that.
I think ABBA have a pure joy to their music and that's what makes them extraordinary.
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