First of all, I swore it was two people playing. When I finally admitted to myself that was one man, I gave up the piano for a month. I figured it was hopeless to practice.
Oscar PetersonRead
It's the group sound that's important, even when you're playing a solo. You not only have to know your own instrument, you must know the others and how to back them up at all times. That's jazz.
Interpretation
Collaboration is essential in music, even during solo performances, as understanding others enhances the overall sound.
Oscar Peterson highlights the importance of understanding and supporting each other in music, even when one is performing a solo. This concept transcends beyond music, emphasizing that in any group endeavor, awareness of and respect for others' contributions is key to creating harmony.
In practice
During a music workshop, remind participants that understanding each other creates better performances.
First of all, I swore it was two people playing. When I finally admitted to myself that was one man, I gave up the piano for a month. I figured it was hopeless to practice.
Too many jazz pianists limit themselves to a personal style, a trademark, so to speak. They confine themselves to one type of playing.
I don't believe that a lot of the things I hear on the air today are going to be played for as long a time as Coleman Hawkins records or Brahms concertos.
Montreal was a very active jazz center until club owners started putting in strippers instead of music. Before long, there was nothing to hear.
Too many jazz pianists limit themselves to a personal style, a trademark, so to speak. They confine themselves to one type of playing. I believe in using the entire piano as a single instrument capable of expressing every possible musical idea. I have no one style. I play as I feel.
You not only have to know your own instrument, you must know the others and how to back them up at all times. That's jazz.
Not many people bought Velvet Underground LPs, but those who did, started a band.
It's easy to get sidetracked with technology, and that is the danger, but ultimately you have to see what works with the music and what doesn't. In a lot of cases, less is more. In most cases, less is more.
I think people have been obsessed with the wrong question, which is how do we make people pay for music? What if we started asking, how do we let people pay for music?
What I like about pop music, and why I'm still attracted to it, is that in the end it becomes our folk music.
Playing live is what it's all about for me. It's cathartic, it's emotional, it's about communing with people. The way you feel after a gig is a such a powerful thing.
I can't really say enough about Chris Potter. He is one of the greatest musicians I have ever known, and every second I have been on the band stand with him has been an absolute pleasure.
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