We must never expect discretion in first love: it is accompanied by such excessive joy that unless the joy is allowed to overflow, it will choke you.
Alexandre DumasRead
I hate this life of the fashionable world, always ordered, measured, ruled, like our music-paper. What I have always wished for, desired, and coveted, is the life of an artist, free and independent, relying only on my own resources, and accountable only to myself.
Interpretation
The quote expresses a longing for artistic freedom over the constraints of societal expectations.
In this quote, Alexandre Dumas contrasts the rigid and conventional lifestyle of the fashionable world with the liberated and autonomous existence of an artist. He expresses a profound desire for independence, creativity, and self-reliance, emphasizing the importance of personal fulfillment over societal rules and norms.
In practice
In a speech about pursuing passion over convention, one might quote Dumas to inspire others to embrace their artistic spirit.
We must never expect discretion in first love: it is accompanied by such excessive joy that unless the joy is allowed to overflow, it will choke you.
There are two ways of seeing: with the body and with the soul. The body's sight can sometimes forget, but the soul remembers forever.
I do not often laugh, sir, as you may perceive by the air of my countenance; but nevertheless, I retain the privilege of laughing when I please.
There is neither happiness nor misery in the world; there is only the comparison of one state with another, nothing more. He who has felt the deepest grief is best able to experience supreme happiness.
Those born to wealth, and who have the means of gratifying every wish, know not what is the real happiness of life, just as those who have been tossed on the stormy waters of the ocean on a few frail planks can alone realize the blessings of fair weather.
It is the way of weakened minds to see everything through a black cloud. The soul forms its own horizons; your soul is darkened, and consequently the sky of the future appears stormy and unpromising
Why, if 'tis dancing you would be, There's brisker pipes than poetry. Say, for what were hop-yards meant, Or why was Burton built on Trent? Oh many a peer of England brews Livelier liquor than the Muse, And malt does more than Milton can To justify God's ways to man. Ale, man, ale's the stuff to drink For fellows whom it hurts to think: Look into the pewter pot To see the world as the world's not.
Who I am on stage is very, very different to who I am in real life.
After all everybody, that is, everybody who writes is interested in living inside themselves in order to tell what is inside themselves. That is why writers have to have two countries, the one where they belong and the one in which they live really. The second one is romantic, is is separate from themselves, it is not real but it is really there.
This strange business of what it is to be a writer is this increasingly insane world in which we live, in which surrealism, it seems, is the new realism.
When I watch a movie, someone's beauty isn't what engages me: it's what's going on internally. And I imagine it's what the audience thinks, too.
In my writing, as much as I could, I tried to find the good, and praise it.
Subscribe for the occasional hand-picked quote. No noise.