The woman's perspective is like the dark side of the moon: it always exists, but it is never exposed, at least not in my culture.
Ang LeeRead
I hope people don't compare 2D and 3D because 3D's new, it's unfair to compare to 2D which is really sophisticated, even when we're jaded about it. 3D just began, give it a chance, let the equipment and projection system catch up and be better, let the price go down, let more filmmakers get a hold of it more easily.
Interpretation
The quote emphasizes the importance of not hastily comparing new technologies with established ones, specifically 2D and 3D film techniques.
Ang Lee's quote highlights the need for patience and understanding when evaluating new advancements in film technology, such as 3D. He urges people to appreciate the complexity and nuance of existing mediums like 2D animation while recognizing that 3D is still in its infancy, suggesting that as technology improves, it will offer better opportunities for filmmakers and viewers alike.
In practice
In a panel discussion about animation techniques, this quote could be referenced to argue for the value of patience in artistic evolution.
The woman's perspective is like the dark side of the moon: it always exists, but it is never exposed, at least not in my culture.
On a Chinese film you just give orders, no one questions you. Here, you have to convince people, you have to tell them why you want to do it a certain way, and they argue with you. Democracy.
I see a movie as a way of learning about the world, about myself, and learning about my relationship with people and art.
Sometimes films ignore other points of view because it's simpler to tell the story that way, but the more genuine and sympathetic you are to different points of view and situations, the more real the story is.
I consider writing practice a true Zen practice because it all comes back at you. You can't fool anyone because it's on the page.
The truest expression of a people is in its dances and its music. Bodies never lie.
Fashion is the science of appearance, and it inspires one with the desire to seem rather than to be.
I write my books at moments of shock. I meet people in extremis and their stories are highly emotionally charged.
The only thing that's important is the legend created by the picture, and not whether it continues to exist itself.
I can’t write five words but that I change seven.
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