Don't be so anxious about it,' she laughed. 'I'm not used to being loved. I wouldn't know what to do; I never got the trick of it.' She looked down at him, shy and fatigued. 'So here we are. I told you years ago that I had the makings of Cinderella.' He took her hand; she drew it back instinctively and then replaced it in his. 'Beg your pardon. Not even used to being touched. But I'm not afraid of you, if you stay quiet and don't move suddenly.
All she wanted was to be a little girl, to be efficiently taken care of by some yielding yet superior power, stupider and steadier than herself. It seemed that the only lover she had ever wanted was a lover in a dream
Interpretation
What this quote means
The quote reflects a longing for simplicity and care in relationships, portraying a desire for a protective romantic partner.
In this quote, F. Scott Fitzgerald captures the yearning for a simpler time and the comfort of being cared for in a relationship. The protagonist's desire to be a 'little girl' implies a wish to relinquish responsibilities and to be nurtured by a partner who embodies strength and reliability, contrasting with her own perceived inadequacies. This longing for a ‘lover in a dream’ suggests a romantic ideal—an escape from reality into a world where love is uncomplicated and fulfilling.
Themes
In practice
Example use cases
In a speech about maintaining healthy relationships, one might quote this to emphasize the desire for nurturing partnerships.
More from F. Scott Fitzgerald
All quotes →The test of a first-rate intelligence is the ability to hold two opposed ideas in mind at the same time and still retain the ability to function.
It was about then [1920] that I wrote a line which certain people will not let me forget: "She was a faded but still lovely woman of twenty-seven."
The words seemed to bite physically into Gatsby.
But you can love more than just one person, can't you?
A sudden gust of rain blew over them and then another - as if small liquid clouds were bouncing along the land. Lightning entered the sea far off and the air blew full of crackling thunder. The table cloths blew around the pillars. They blew and blew and blew. The flags twisted around the red chairs like live things, the banners were ragged, the corners of the table tore off through the burbling billowing ends of the cloths.
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