I can't live where I want to, I can't go where I want to go, I can't do what I want to, I can't even say what I want to. I decided I was a very stupid fool not to at least paint as I wanted to.
Georgia O'KeeffeRead
I long ago came to the conclusion that even if I could put down accurately the thing I saw and enjoyed, it would not give the observer the kind of feeling it gave me. I had to create an equivalent for what I felt about what I was looking at-not copy it.
Interpretation
The quote emphasizes the importance of expressing feelings rather than merely replicating external appearances in art.
Georgia O'Keeffe suggests that true artistic expression must convey the artist's emotional experience rather than just serve as a mere representation of what is observed. This idea underlines the belief that art should capture subjective feelings and perspectives, providing viewers with an emotional connection rather than a straightforward depiction.
In practice
In a speech at an art exhibition, the quote could serve to inspire artists to convey their true feelings through their work.
I can't live where I want to, I can't go where I want to go, I can't do what I want to, I can't even say what I want to. I decided I was a very stupid fool not to at least paint as I wanted to.
I found I could say things with color and shapes that I couldn't say any other way - things I had no words for.
You are one of my nicest thoughts.
It was in the 1920s, when nobody had time to reflect, that I saw a still-life painting with a flower that was perfectly exquisite, but so small you really could not appreciate it.
Singing has always seemed to me the most perfect means of expression.
Objective painting is not good painting unless it is good in the abstract sense. A hill or tree cannot make a good painting just because it is a hill or tree. It is lines and colors put together so that they may say something.
You are either born a writer or you are not.
In Africa, those who have money - businessmen and banks - do not believe in film.
Oh literature, oh the glorious Art, how it preys upon the marrow in our bones. It scoops the stuffing out of us, and chucks us aside. Alas!
I always wanted to make a three-record set. 'Sign o' the Times' was originally supposed to be a triple album, but it ended up as a double.
We find things beautiful because we recognize them and contrariwise we find things beautiful because their novelty surprises us.
Today's photographers think differently. Many can't see real light anymore. They think only in terms of strobe - sure, it all looks beautiful but it's not really seeing. If you have the eyes to see it, the nuances of light are already there on the subject's face. If your thinking is confined to strobe light sources, your palette becomes very mean - which is the reason I photograph only in available light.
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