We are increasingly likely to find ourselves in places with background music. No composers have thought to write for these modern spaces, which represent 30% of our musical experience.
Brian EnoRead
I think there's a lot of similarity between what people try to do with religion with what they want from art. In fact, I very specifically think that they are same thing. Not that religion and art are the same, but that they both tap into the same need we have for surrender.
Interpretation
Both religion and art fulfill a deep human need for surrender and connection.
Brian Eno's quote suggests that both religion and art serve a fundamental purpose in human life—addressing a collective yearning for surrender and a deeper understanding of existence. He argues that while they are not identical, the psychological and emotional needs they fulfill are strikingly similar, indicating a profound link between spiritual and artistic experiences.
In practice
In a discussion about the emotional impact of art, this quote can highlight the deeper significance of artistic expression.
We are increasingly likely to find ourselves in places with background music. No composers have thought to write for these modern spaces, which represent 30% of our musical experience.
I think that technology is always invented for historical reasons, to solve a historical problem. But they very soon reveal themselves to be capable of doing things that aren't historical that nobody had ever thought of doing before.
When I first started making ambient music, I was setting up systems using synthesizers that generated pulses more or less randomly. The end result is a kind of music that continuously changes. Of course, until computers came along, all I could actually present of that work was a piece of its output.
People do dismiss ambient music, don't they? They call it 'easy listening,' as if to suggest that it should be hard to listen to.
In the future, you won't buy artists' works; you'll buy software that makes original pieces of 'their' works, or that recreates their way of looking at things. You could buy a Shostakovich box, or you could buy a Brahms box. You might want some Shostakovich slow-movement-like music to be generated. So then you use that box.
Ambient music must be as ignorable as it is interesting.
The great work must inevitably be obscure, except to the very few, to those who like the author himself are initiated into the mysteries. Communication then is secondary: it is perpetuation which is important. For this only one good reader is necessary.
Whenever I sit with a bowl of soup before me, listening to the murmur that penetrates like the distant song of an insect, lost in contemplation of the flavours to come, I feel as if I were being drawn into a trance.
It is very bad for (an artist) to talk about how he (creates). It is not the (artist's) province to explain or to run guided tours through the more difficult country of his work. It's none of their business that you had to learn. Let them think you were born that way.
My art will reflect not necessarily conscious politics but the unanalysed politics of my life.
I am now satisfied that the future music of this country must be founded upon what are called negro melodies. This must be the real foundation of any serious and original school of composition to be developed in the United States.
My parents said, Oh, he's going to be a director someday. I wanted to be an actor.
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