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I haven't been in the Louvre for twenty years. It doesn't interest me because I have these doubts about the value of the judgments which decided that all these pictures should be presented to the Louvre instead of others which weren't even considered.
Marcel Duchamp
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Interpretation

What this quote means

The quote expresses skepticism about the value of established artistic hierarchies and institutions like the Louvre.

Marcel Duchamp's quote reflects his critical perspective on the traditional art world, highlighting his doubts about the subjective nature of artistic judgment that determines which artworks are deemed worthy of exhibition in renowned institutions like the Louvre. He suggests that the criteria for selection can be arbitrary and that many deserving works may be overlooked.

Themes

ArtJudgmentLouvreSubjectivityDuchamp

In practice

Example use cases

This quote could be used in a discussion about the role of museums in shaping art history.

More from Marcel Duchamp

An abstract painting need in 50 years by no means look "abstract" any longer.
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All this twaddle, the existence of God, atheism, determinism, liberation, societies, death, etc., are pieces of a chess game called language, and they are amusing only if one does not preoccupy oneself with 'winning or losing this game of chess.
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I am still a victim of chess. It has all the beauty of art - and much more. It cannot be commercialized. Chess is much purer than art in its social position.
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I never finished the 'Large Glass' because, after working on it for eight years, I probably got interested in something else; also, I was tired. It may be that, subconsciously, I never intended to finish it because the word 'finish' implies an acceptance of traditional methods and all the paraphernalia that accompany them.
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It's a product of two poles - there's the pole of the one who makes the work, and the pole of the one who looks at it. I give the latter as much importance as the one who makes it.
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I became a librarian at the Sainte-Genevieve Library in Paris. I made this gesture to rid myself of a certain milieu, a certain attitude, to have a clean conscience, but also to make a living. I was twenty-five. I had been told that one must make a living, and I believed it.
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