The mirror is not you. The mirror is you looking at yourself.
George BalanchineRead
The pointes for girls, I always say, have to be like an elephant's trunk; strong and yet flexible and soft.
Interpretation
Balanchine compares the qualities of ballet points for girls to an elephant's trunk, emphasizing strength with flexibility and softness.
In this quote, George Balanchine conveys the essential qualities that ballet points for girls must embody. He suggests that they need to be strong to support the dancer's weight, yet flexible and soft to allow for grace and fluidity in movement. The elephant's trunk serves as a metaphor for the ideal balance between strength and elegance, illustrating that true artistry in dance requires both resilience and gentleness.
In practice
A ballet instructor might use this quote to emphasize the importance of technique in young dancers.
The mirror is not you. The mirror is you looking at yourself.
First comes the sweat. Then comes the beauty if you're very lucky and have said your prayers.
I don't want people who want to dance; I want people who have to dance.
God creates, I do not create. I assemble and I steal everywhere to do it - from what I see, from what the dancers can do, from what others do.
Most ballet teachers in the United States are terrible. If they were in medicine, everyone would be poisoned.
One is born to be a dancer. No teacher can work miracles, nor will years of training make a good dancer of an untalented pupil. One may be able to acquire a certain technical facility, but no one can ever 'acquire an exceptional talent.' I have never prided myself on having an unusually gifted pupil. A Pavlova is no one's pupil but God's.
The effects of good music are not just because it's new; on the contrary music strikes us more the more familiar we are with it.
There is a majesty in simplicity.
Architects, sculptors painters, we all must return to the crafts! For art is not a 'profession.' There is no essential difference between the artist and the craftsman. The artist is an exalted craftsman.
It's weird what can trigger the beginning of a song or some bars. It can be a banging slice of apple pie or it can be smelling a certain perfume or something.
The reality of the final moment, just before shooting [the scene], is so powerful that all previous analysis must yield before the impressions you receive under these circumstances, and unless you use this feedback to your positive advantage, unless you adjust to it, adapt to it and accept the sometimes terrifying weaknesses it can expose, you can never realize the most out of your film.
Outside of hip-hop, it was in comics that I most often found the aesthetics and wisdom of my world reflected.
Subscribe for the occasional hand-picked quote. No noise.