The mirror is not you. The mirror is you looking at yourself.
George BalanchineRead
I don't want people who want to dance; I want people who have to dance.
Interpretation
This quote emphasizes the difference between those who enjoy dancing and those who feel a deep, intrinsic need to dance.
George Balanchine's quote highlights the passion and dedication that true artists possess. It suggests that exceptional talent is often driven by an inner compulsion rather than mere interest or desire, underscoring the importance of commitment and emotional connection in the pursuit of art.
In practice
During a dance recital, this quote can be shared to inspire performers and audience alike.
The mirror is not you. The mirror is you looking at yourself.
First comes the sweat. Then comes the beauty if you're very lucky and have said your prayers.
God creates, I do not create. I assemble and I steal everywhere to do it - from what I see, from what the dancers can do, from what others do.
Most ballet teachers in the United States are terrible. If they were in medicine, everyone would be poisoned.
One is born to be a dancer. No teacher can work miracles, nor will years of training make a good dancer of an untalented pupil. One may be able to acquire a certain technical facility, but no one can ever 'acquire an exceptional talent.' I have never prided myself on having an unusually gifted pupil. A Pavlova is no one's pupil but God's.
The pointes for girls, I always say, have to be like an elephant's trunk; strong and yet flexible and soft.
It is essential that the painter should develop not only his eyes, but also his soul, so that it too may be capable of weighing colors in balance.
Love of beauty is taste. The creation of beauty is art.
It's been a long time...I shouldn't have left you_x000D_ _x000D_ Without a strong rhyme to step to.
When the theater gates open, a mob pours inside, and it is the poet's task to turn it into an audience.
Poetry is not Irish or any other nationality; and when writers such as Messrs. Clarke, Farren and the late F. R. Higgins pursue Irishness as a poetic end, they are merely exploiting incidental local colour.
I don't hate people who colour-blind cast, but I hate people who colour-blind cast and pretend that they're not, who pretend that these bodies on stage don't actually carry specific meaning.
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