The mirror is not you. The mirror is you looking at yourself.
George BalanchineRead
I don't want people who want to dance; I want people who have to dance.
Interpretation
This quote emphasizes the difference between those who enjoy dancing and those who feel a deep, intrinsic need to dance.
George Balanchine's quote highlights the passion and dedication that true artists possess. It suggests that exceptional talent is often driven by an inner compulsion rather than mere interest or desire, underscoring the importance of commitment and emotional connection in the pursuit of art.
In practice
During a dance recital, this quote can be shared to inspire performers and audience alike.
The mirror is not you. The mirror is you looking at yourself.
First comes the sweat. Then comes the beauty if you're very lucky and have said your prayers.
God creates, I do not create. I assemble and I steal everywhere to do it - from what I see, from what the dancers can do, from what others do.
Most ballet teachers in the United States are terrible. If they were in medicine, everyone would be poisoned.
One is born to be a dancer. No teacher can work miracles, nor will years of training make a good dancer of an untalented pupil. One may be able to acquire a certain technical facility, but no one can ever 'acquire an exceptional talent.' I have never prided myself on having an unusually gifted pupil. A Pavlova is no one's pupil but God's.
The pointes for girls, I always say, have to be like an elephant's trunk; strong and yet flexible and soft.
Art has a way of confronting us, of reminding us, of engaging us, in what it means to be human, and what it means to be human is to be flawed, is to be contradictory, is to be often weak, and yet despite all of these what we would consider drawbacks, that we're also quite beautiful. Spin is the opposite.
I had still the ambition, formed in Sligo in my teens, of living in imitation of Thoreau on Innisfree, a little island in Lough Gill, and when walking through Fleet Street very homesick I heard a little tinkle of water and saw a fountain in a shop window which balanced a little ball upon its jet, and began to remember lake water. From the sudden remembrance came my poem Innisfree.
Unlike all the other art forms, film is able to seize and render the passage of time, to stop it, almost to possess it in infinity. I'd say that film is the sculpting of time.
The importance of poetry is not measured, finally, by what the poet says but by how he says it.
Asymmetric balance creates greater reader interest. Pleasure derived from observing asymmetrical arrangements lies partly in overcoming resistances, which, consciously or not, the spectator adjusts in his own mind.
This is an evening of wonders, indeed!
Subscribe for the occasional hand-picked quote. No noise.